Jo Litson is the Editor of Limelight Magazine. She took up the position in late 2018 having joined the magazine as Deputy Editor in 2016. During a 35-year career as an arts journalist she has been a contributor to numerous publications including Limelight, The Australian, The Bulletin, and the Qantas magazine. She was the arts writer and theatre reviewer for The Sunday Telegraph for 12 years until 2018, and has written the labels for the Archibald Prize for the Art Gallery of New South Wales for over 20 years.
Lyndon Terracini has had his contract as OA Artistic Director extended until 2021. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Wesley Enoch was booed when he said next year’s concert will be in Parramatta – but it’s not a decision he’s taken lightly. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Combining history, feminism and gorgeous vocals, this cabaret about gin is a real tonic.
A joyous yarn about an Indigenous family told with cheeky humour and lots of heart.
Formerly known as orchestra seventeen88, young period ensemble ARCO has announced its ambitious 2017 season. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Abi Tucker seduces with songs by Tim Finn and Dorothy Porter about love, lust and heartache.
In sour news for tall ballerinas, a dancer in the US has lost her contract because of her height. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
A dynamic play with a cumulative emotional force about a young Congolese-Australian boxer facing his demons.
Inside the sex and politics of the Weimar-era musical, from Isherwood's Berlin to the latest production at the Hayes.
A boldly staged Russian language production brings impressive clarity to a famously problematic play.
Richard Katz and British company Complicite take you deep into the jungle for an immersive, mind-bending Encounter.
For the British director working in Russia, purity and insanity go hand in hand.
The much-loved singer-songwriter talks about the ups and downs of writing and rewriting for the stage. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
