How bequests from opera lovers are supporting established and emerging arts companies across the globe.

In an exciting start to the festival, this provocative production, with its stunning staging and symbolic imagery, will leave you pondering.

David Williamson's final new play deals with sibling rivalry and assisted dying, but too much is simply expounded upon.

The script may be pedestrian at times but the staging and puppetry is dazzling.

The sought-after Finnish conductor discusses Stravinsky's "earth-shattering" Rite of Spring, and the SSO's new Symphony Hour concerts.

After collaborating on successful productions of The King And I and South Pacific, OA and John Frost are to stage another Rodgers and Hammerstein musical.

Helen Thomson is blissfully funny in this new adaptation of Fo’s classic political farce.

The US composer/conductor explains how he came to fuse Bach, Beethoven, cowboy songs, gospel and blues in his oratorio about the murder of gay student Matthew Shepard, being staged as part of Mardi Gras.

This production of Terence Rattigan's quintessentially English drama never quite finds its groove, despite a strong performance from Marta Dusseldorp.

Peter Coleman-Wright, the Artistic Director of the new opera company, announces the 2020 program, with an appeal for more financial support.

Baz Luhrmann’s cinematic hit gets giddy Broadway treatment.

The Lady of the Camellias, to be presented by QB, has been postponed due to the Coronavirus, while MSO's Chinese New Year concert was affected by fear of the virus.