We talk to 15-year-old Marcus Michelsen about stepping up to the plate, as well as Alexander Briger ahead of the SYO's challenging season opener.

Korean composer Unsuk Chin talks about studying with Ligeti, her influences, and what she'd tell young composers now.

The Australian composer’s acclaimed opera has won best World Premiere.

In her highly anticipated ACO debut, the opera star shows herself to be an accomplished, detailed recitalist.

Joyce DiDonato and Daniela Barcellona have been recognised for their star turns in David Alden’s Semiramide, which has also been honoured in this year's awards.

This adaptation of Erdman’s The Suicide fails to plumb the depths of its characters’ despair.

Ahead of her Violetta for Opera Australia, we give the American soprano the Five Questions treatment.

Over 12 months, the emerging composer will work closely with orchestra and staff to create two new compositions to be performed by the MSO.

Ahead of its season opener, Bel a cappella's Anthony Pasquill discusses giving the Australian premiere of a work by Caroline Shaw.

A compelling but imperfect play by Michele Lee is elevated by its excellent, side-splitting cast.

Sixty-five Impressionist masterpieces have travelled from the Musée d’Orsay in Paris to the Art Gallery of South Australia.

Barenboim himself has not been seen in Australia since 1970, and this is the first time he has brought his Orchestra here.