Review: Soweto Gospel Choir – Hope (Adelaide Fringe)
In troubling times, the Soweto Gospel Choir reminds us that freedom has a face and a history.
In troubling times, the Soweto Gospel Choir reminds us that freedom has a face and a history.
Tracey Yarad impresses with an autobiographical show inspired by the worst imaginable collapse of a relationship.
Having experienced more than her fair share, Jodie Atkinson shines a spotlight on grief in all its manifestations.
Hans throws himself the a raucous birthday party. Pass-the-parcel included.
Lisa’s musical personality is different to that of her mother Nina, but that remarkable flame is in safe hands.
A Life in Notes is Patti LuPone unplugged and intimate, still pushing the envelope and taking risks.
Kate Miller-Heidke's always surprising Catching Diamonds is a tonic in a music world that has become too predictable.
Minus some of the festival's marquee acts, this Gala was a showcase of hidden gems and next-generation stars.
The Force was with Adelaide Wind Orchestra for its survey of the movie maestro's greatest music.
Chloé Charody strives to find new and innovative ways to draw attention to the destruction that immigration detention centres do.
Melanie Gall delivers a true one-woman show in this tribute to a pair of French superstars.
South Africa's ultimate feel-good ambassadors. The more you engage with them, the more you want.
Too much oxygen devoted to chat but the acts spoke for themselves.