Review: Shakespeare’s The Tempest (Queensland Symphony Orchestra)
Let the actors act, let the orchestras orch – QSO meets John Bell on an uneven playing field.
Paul Ballam-Cross is a writer and classical guitarist. He holds a Bachelor of Music in Performance and a Doctor of Philosophy, majoring in Musicology. He loves collecting records and will happily spend hours researching everything from the Baroque to noise rock.
Let the actors act, let the orchestras orch – QSO meets John Bell on an uneven playing field.
All-Russian recital celebrates 50 years of the ACO.
Seven’s the magic number in Ensemble Q’s surprising chamber recital.
A punchy Prokofiev outshone by James Ehnes’ stunning Barber concerto.
Parlando’s intensely Russian debut presents music of daring and defiance.
Opera Queensland has a winner here, beautifully performed and superbly timed for comedy.
Southern Cross Soloists' patchwork of Strauss waltzes, Beethoven and a piece reflecting on the LA fires doesn't quite hang together.
Perfectly programmed French festivities in honour of legend William Christie.
Though there are signs of belt-tightening, there's plenty to look forward to and anniversaries to celebrate in the Australian arts in 2025.
What do our small to medium ensembles have on offer in the year ahead?
New music for piano tells a tale of love, loss, and sand dunes.
Jim Hall’s tribute to Rodrigo gets its own electrifying tribute from Grabowsky and co.
A riotous explosion of outrageous theatrical sights and sounds from Ensemble Q.