Review: La bohème (Opera Queensland & Brisbane Festival)
Bohème again – but this staging slays with stunning performances and design.
Paul Ballam-Cross is a writer and classical guitarist. He holds a Bachelor of Music in Performance and a Doctor of Philosophy, majoring in Musicology. He loves collecting records and will happily spend hours researching everything from the Baroque to noise rock.
Bohème again – but this staging slays with stunning performances and design.
Hymns, barricades and cockatoo cries fill this viola-meets-synth recital.
Seraphim Trio sparks up with vivid, underperformed chamber works.
Let the actors act, let the orchestras orch – QSO meets John Bell on an uneven playing field.
All-Russian recital celebrates 50 years of the ACO.
Seven’s the magic number in Ensemble Q’s surprising chamber recital.
A punchy Prokofiev outshone by James Ehnes’ stunning Barber concerto.
Parlando’s intensely Russian debut presents music of daring and defiance.
Opera Queensland has a winner here, beautifully performed and superbly timed for comedy.
Southern Cross Soloists' patchwork of Strauss waltzes, Beethoven and a piece reflecting on the LA fires doesn't quite hang together.
Perfectly programmed French festivities in honour of legend William Christie.
Though there are signs of belt-tightening, there's plenty to look forward to and anniversaries to celebrate in the Australian arts in 2025.
What do our small to medium ensembles have on offer in the year ahead?