Review: Haydn: Piano Sonatas, Volume 9 (Jean-Efflam Bavouzet)
Ninth time’s the charm in Bavouzet’s Haydn keyboard survey.
Paul Ballam-Cross is a writer and classical guitarist. He holds a Bachelor of Music in Performance and a Doctor of Philosophy, majoring in Musicology. He loves collecting records and will happily spend hours researching everything from the Baroque to noise rock.
Ninth time’s the charm in Bavouzet’s Haydn keyboard survey.
New sound-art lullabies by Rachael Dease a balm for strange days.
The heat is on in Queensland Symphony Orchestra’s triumphant Firebird performance.
Cabaret and opera combine in this gleeful myth deconstruction, giving you plenty to think and talk about.
Bach out of order but working well in Anderszewski’s collection.
SXS's season opener with Slava Grigoryan proved an amiable, enjoyable concert with a fascinating new work for guitar and chamber orchestra by Natalie Nicolas.
QSO's 2021 season opener sparkles like a champagne pop.
Retuning makes a return in gleaming Biber and bass showcase.
All Bach but no barre in agile new Goldbergs.
The Australian Voices finally return with a dazzling showcase of nine new works.
New ensemble Genesis Baroque takes their time with Corelli favourites.
Topology rise to the occasion for a top-shelf performance of favourites.
Troubled textures in French programme of triple-viol transcriptions.