This entertaining, unbuttoned gig by soprano Eva Kong and jazz singer Asabi Goodman showed how enjoyable music making can be.

Experimental chamber works at their best when things get physical.

Reflections on the Goldberg Variations in jazz/classical double bill that feels like two excellent halves, not necessarily a whole.

The Australian Romantic & Classical Orchestra paired a great classic by Schubert with a lesser-known work by Eybler for a Viennese charm offensive.

Election day Requiem overcomes death and politics to shine brightly.

Jack Liebeck explains how his life fell into place when a violin was put into his hands at age eight, and how he has programmed the Australian Festival of Chamber Music, where he is the new Artistic Director.

A century since his birth, the music of Xenakis remains challenging, vital and bold.

Granger’s debut showcases just what the modern harp can do.

Ensemble Q gives a thoughtful examination of early 20th-century chamber rarities.

This new work plays with centuries of expectations around women’s roles in opera.

Quirky local works showcase the QSO’s brass and percussion sections.

A debut release with an added pinch of Australian seasoning.