Review: High Stakes (Canberra International Music Festival)
A unique blend of voices and instruments performed in the high stakes environment of Australia's High Court.
A unique blend of voices and instruments performed in the high stakes environment of Australia's High Court.
No matter what genre of music they play, Amsterdam's Dudok Quartet do it with the utmost grace and clarity.
Lior and Nigel Westlake's groundbreaking work made for a powerful opening statement for this year's Canberra International Music Festival.
Australian Haydn Ensemble, Celeste Lazarenko and Helen Sherman. A heavenly combination indeed
An intimate program of string quartets by Haydn, Mozart and Mendelssohn expertly played by AHE in foursome mode.
ANU's School of Art and Design Gallery a perfect setting for an exploration of works by György Ligeti, a giant of 20th century music.
The Australian Haydn Ensemble launches this year's Canberra International Music Festival in captivating style.
Canberra Symphony Orchestra unpacks all shades of blue in a concert bursting with musical colour and intensity.
A fundraising concert at St Christopher’s Cathedral aims to revive the fortunes of the influential Canberra Bach Ensemble.
A truly living music and the closest you can get to hearing the late Astor Piazzolla himself.
Celebrating 70 years of music-making, the program featured two world premieres by composers Ella Macens and Michael Dooley celebrating the art of singing and Canberra's natural diversity.
This sold-out concert perfectly captured the vibrancy of the Australian landscape and featured the world premiere of Emergence by composer Deborah Cheetham.
Not even a change in program and line-up could detract from this evening of exceptional musicianship.