Review: Fauré Requiem (Australian Chamber Choir)
The ACC's foray into Fauré, taking in Brahms and Tavener on the way, marks a welcome return.
Steve Moffatt’s earliest musical memories are of his father’s dubious tenor accompanying 78s of Gigli and Björling. As a local newspaper reporter in London, he covered Jimi Hendrix’s inquest. Now retired, he reviews concerts for Limelight and NewsLocal newspapers, where he worked as production editor.
The ACC's foray into Fauré, taking in Brahms and Tavener on the way, marks a welcome return.
Meet a sweet tenor with the gift of tongues.
Sydney Philharmonia Choirs' lost season is resurrected by the power of the Passion.
Two exceptional young musicians do great justice to Brahms’ twilight works.
A night of high emotion as COVID-hit trio makes its concert return.
Pleasant but low-key Schumann from promising Kazakh pianist.
Two satisfying solutions to the perennial problem of writing a piano trio
Inventi Ensemble steps up to break the silence of a COVID lockdown.
The Met comes up with a neat, COVID-safe solution.
Radiant return to the stage despite some last-minute border decisions.
Gut instincts in abundance as Haydn survey nears its close.
A collation of delights from Mandolin Man on a mission.
Standing room only for young band's live rebirth.