Conducted by Brett Weymark, Handel's Messiah shines a fresh light after the dark months of the pandemic.

Our reviewers and readers have voted for the Australian and international artists who raised their heart rates in 2022. Their votes have been tallied, and we are thrilled to announce our winners.

Madeleine Easton’s recreation of Monteverdi’s thanksgiving for the end of the plague hits home with Sydney audiences.

Christopher Bowen’s new choral work, based on former Prime Minister Keating's Redfern speech, expresses our determination to reconcile, atone and work to a shared future with First Nations people.

Closing its season, ACO explores the music of the New World from divine Dvořák, Feldman, Price and Walker to Bryce Dessner, John Adams and a world premiere by his son Samuel.

The Aussie-born barrister-pianist continues to make a case for your attention.

Under the heroic musical direction of Sam Weller, this unveiling of the cathedral-like Dangrove Art Storage Facility in Alexandria was a Verdi spectacular in every sense of the word.

The oud master paints a powerful portrait of the horror and beauty of his divided homeland.

Haydn specialists and a theatrical giant give us a life well imagined.

The beautiful and shocking secrets of our rivers are conveyed through a spellbinding marriage of film and music.

Levit’s fascinating take on love, death and the whole damn thing.

Nature or nurture? The elite Bach group explores the shaping of the musical genius in a program including works by his contemporaries and a superb performance by countertenor Russell Harcourt.