Review: Mozart in London (Classical Opera and The Mozartists)
Wolfgang’s Boy’s own story: Maybe it’s because, for all of 15 months, Mozart was a Londoner.
Will Yeoman is a former senior arts writer and current travel journalist for The West Australian newspaper. A regular contributor to Limelight and Gramophone, he is also Artistic Director of the York Festival and a keen classical guitarist.
Wolfgang’s Boy’s own story: Maybe it’s because, for all of 15 months, Mozart was a Londoner.
Benjamin Alard embarks on a project of a lifetime.
First opera by a woman gets the brilliant revival it deserves.
A labour of love from one of our most respected tenors.
Fortune smiles on The Orlando Consort yet again.
Novel take on music of Baroque master yields new insights.
Kolesnikov takes aim at the French Baroque and hits the bullseye every time.
A masterclass in baroque vocal pyrotechnics from the best.
Handel’s flop is a winner in Pinchgut Opera’s hands.
Intimate and revelatory takes on Beethoven piano concertos.
Faust makes a musical pact with Bezuidenhout, with heavenly results.
Protean pianist proves he’s sure got rhythm – and then some.
A glittering performance from one of Australia's top sopranos, Emma Matthews.