Review: Wagner: Tristan und Isolde (Vienna State Opera, Franz Welser-Möst)
Tristan und Isolde navigate troubled waters for Vienna State Opera.
Will Yeoman is a former senior arts writer and current travel journalist for The West Australian newspaper. A regular contributor to Limelight and Gramophone, he is also Artistic Director of the York Festival and a keen classical guitarist.
Tristan und Isolde navigate troubled waters for Vienna State Opera.
Vivaldi's Gloria's mass appeal enhanced by 'new' complete Mass.
A promising start to a musical journey promising seriousness and humour along the way.
Pairing Schubert's Winterreise with Fred Williams' paintings proves to be ingenious, but the night still belongs to tenor Allan Clayton and pianist Kate Golla.
Gender-bending soprano Mariño defies convention and gravity – but not gravitas.
A pianistic roller-coaster ride with one of Australia's finest composers.
Fabien Gabel leads WASO in a contrasting program with exceptional playing by soloist Emma McGrath.
Steven Isserlis proves the ideal companion in a journey through Bach’s mighty cello suites.
A colossus of the piano returns with magical music making.
Two tenors triumph in kaleidoscopic program of Baroque vocal music.
Finely-wrought songs by one of the greatest pianists of the 20th century.
Mitsuko Uchida returns with a masterful account of a piano masterpiece.
An episode from the life of Alfred the Great gets epic treatment.