Review: Serenade (West Australian Symphony Orchestra – Chamber Series)
A "supremely joyful performance" wraps up WASO's Chamber Series for the year.
Will Yeoman is a former senior arts writer and current travel journalist for The West Australian newspaper. A regular contributor to Limelight and Gramophone, he is also Artistic Director of the York Festival and a keen classical guitarist.
A "supremely joyful performance" wraps up WASO's Chamber Series for the year.
A masterful performance of Verdi’s choral masterpiece sets the bar high early and keeps it there for the duration.
Wagner and Debussy made shipshape and a major new contribution to Australia’s choral and symphonic repertoire from Paul Stanhope.
Master of affect and effect, offers juicy climaxes and hummable tunes.
This Brahmsian labour of love receives a posthumous publication.
Dutch violinist Simone Lamsma and WASO deliver a concert worth sending to the memory bank.
Vivaldi's violin concertos made electrifying – risky, imaginative and rhetorically charged.
Rapturous playing by of some of WASO’s finest musicians – who also curated the program.
This collection of essays is a sophisticated meditation on virtuosity itself.
This collection of essays is a sophisticated meditation on virtuosity itself.
A moving, wordless tribute to the lost children of Gaza.
Taking it to the limit: Edward Gardner, Samantha Clarke and WASO combine to deliver a thrilling, edge-of-the-seat experience.
Rameau's grotesque opera holds up a mirror for our own times.