A new report suggests that regular engagement with the arts is as effective as physical exercise when it comes to slowing the ageing process.
Violist Ella Beard talks through their brand new commissioning project, which sees the premiere of three new works that address child sexual abuse.
Lucas Debargue makes his Australian debut as a virtuoso pianist and as an ambassador for a more open, less fearful musical culture.
Andrea Lam, Joseph Tawadros and William Barton are among this year's independent artists being celebrated for new releases.
With TwoSet Violin for its cover stars, the June issue of Limelight is all about artists reshaping the ways in which audiences engage with the arts.
As the end of the financial year approaches, we look into the Australian Cultural Fund’s revolutionary rethinking of the ways in which artists can connect with potential donors.
As Alfie Boe prepares to return to Australia, the much-loved tenor talks about farewelling Les Misérables and the art of collaboration.
The three-time Tony nominee’s insightful memoir is an inspiration.
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Eric Avery's year-long collaboration with Flinders Quartet bears remarkable fruit.
Every aspect of this staging works to highlight the strengths of Steel Magnolias – to a point where we don’t care about its contrivances.
A vivid tale of adolescent redemption inhabited by characters existing at the margins of reality.
Gavrylyuk's technique is flawless, sometimes astonishing. But does he overplay his strengths?
Can young love survive in modern day Cardiff? Gary Owen's warmhearted drama puts everything in its way.
Oscar Wilde’s classic comedy about gender, identity and sexuality exuberantly reinvented.
Log in to read the flipbook version of Limelight's May 2026 magazine.
Elizabeth Younan’s String Quartet No. 1 takes centre stage as the Australian String Quartet launches a national tour exploring intimacy, expression and connection.
Hot on the heels of this month’s Remix Tour Live, Suzy Izzard is bringing her one-woman version of Shakespeare’s tragedy to Australia.
This year’s Music in Me Summit – Many Voices. One Classroom – spotlights diversity, inclusion and culturally responsive teaching practices.
Cameron Lam surveys the latest (and upcoming) Classical, Jazz, and Sound Art releases on this month’s Australian Art Music playlist.
Your essential coast-to-coast guide to the Australian music being played on our concert stages this month.
Too often, creative workers rely on 'Dr Footlights' to get through the tough times. But Support Act is on hand when you need it.
Limelight partners with Australian Festival of Chamber Music for an immersive Cairns experience led by Rachel Whealy.
Eric Avery's year-long collaboration with Flinders Quartet bears remarkable fruit.
Violist Ella Beard talks through their brand new commissioning project, which sees the premiere of three new works that address child sexual abuse.
Salut! Baroque’s poetic mix is guaranteed to brighten your day.
Gavrylyuk's technique is flawless, sometimes astonishing. But does he overplay his strengths?
Andrea Lam, Joseph Tawadros and William Barton are among this year's independent artists being celebrated for new releases.
Lucas Debargue makes his Australian debut as a virtuoso pianist and as an ambassador for a more open, less fearful musical culture.
With TwoSet Violin for its cover stars, the June issue of Limelight is all about artists reshaping the ways in which audiences engage with the arts.
With a highly gifted and vocally balanced cast, this is ensemble performance at its best.
Shipshape and Bristol fashion. No weak links in this WASO Wagner led by British baritone Christopher Maltman.
Sixty projects to share in more than $1 million in funding; State Opera South Australia and Opera Hong Kong to partner up for Hansel & Gretel.
A masterclass in whimsy, humour and quirk, with inspired direction and fine singing.
Pinchgut Opera melds the Old Testament with Aussie holiday tradition in a reimagined, psychologically driven staging of Scarlatti’s The First Murder.
Every aspect of this staging works to highlight the strengths of Steel Magnolias – to a point where we don’t care about its contrivances.
A vivid tale of adolescent redemption inhabited by characters existing at the margins of reality.
Can young love survive in modern day Cardiff? Gary Owen's warmhearted drama puts everything in its way.
Oscar Wilde’s classic comedy about gender, identity and sexuality exuberantly reinvented.
With TwoSet Violin for its cover stars, the June issue of Limelight is all about artists reshaping the ways in which audiences engage with the arts.
Set during Northern Ireland's Troubles, Grace Chapple's tinderbox drama tells a universal story of past violence and ongoing trauma.
Annual report shows audiences responding to ambitious repertoire but temporary loss of Melbourne home base continues to weigh on box office.
John Cranko’s evergreen masterpiece proves the perfect vehicle for Callum Linnane’s final performances with The Australian Ballet.
Callum Linnane leaves The Australian Ballet for Principal Artist role with Hamburg Ballet.
A compelling triple bill explores mortality through ritual, sculpture and ecstatic movement.
Raewyn Hill, Artistic Director of Perth's Co3 Contemporary Dance, steps away from the company she founded.
Verdi’s emotional journey elaborated with stunning displays of dramatic spectacle, mass choreography and fine voices.
Salut! Baroque’s poetic mix is guaranteed to brighten your day.
Pappano saddles up a British warhorse and rides triumphantly into battle.
Echoes of Glass and Cage in Otte’s minimalist piano cycle.
Two handsome box sets unearth many unexpected gems.
Fine Vine, from the chamber rather than the cellar.
A lushly textured ode to the horizon by John Luther Adams.
Explore the guide and listen to our 25 in 25 playlist of Australia’s favourite art music.
Our specialist writers analyse this year’s offerings in theatres and concert halls.
Read our complete coverage of this year’s Canberra International Music Festival.
Find out what’s happening this week and add your own events to our free online calendar.
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