After reported frustration with the organisation's programming of musicals, the Japanese billionaire's contract will lapse in December.
Tyran Parke’s new production of The Trumpet of the Swan puts theatrical imagination at the heart of Opera Australia’s new family show.
Australian guitarist Andrew Blanch shares touring tales and explores the cultural crossings behind his latest album and upcoming gigs.
The Grammy-winning American jazz titan cancels appearances in major festivals in Perth, Sydney and Melbourne due to ill health.
The ASQ's new fund is almost a third on the way to its $15 million goal, which aims to ensure the ensemble's long-term sustainability.
Metropolitan Opera, Royal Opera and La Fenice to join Australian artists in a gala honouring the legendary soprano.
Jonathan Biggins talks to Deborah Jones about his new novel, Near Death in Venice – the first in a cosy crime series.
Ella Macens introduces her new Sydney Symphony Orchestra commission – a deeply personal reflection on lineage, gratitude and the passage of time.
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With a score by Nico Muhly, this immersive exploration of space and time finds its apotheosis in Tristan und Isolde.
From country-folk wit to cinematic piano, Club Weld artists make their mark with the ACO.
The SXS were the unflappable ringmasters when the circus came to town, profanely combining chamber music with acrobatics in virtuosic mayhem.
A living-room concert opens into a wilderness of sound, colour and unexpected musical encounters.
This comedy-horror musical in which a group of cheerleaders encounter a slasher feels unfocused, but you can't fault the terrific production.
The vocal equivalent of two marathons back-to-back, this is Don Carlo and Il trovatore done right.
Log in to read the flipbook version of Limelight's November 2026 magazine.
Hollis Taylor chats about her new work for Musica Viva Australia, co-composed with Jon Rose for the Latvian Radio Choir and recorder virtuoso Genevieve Lacey.
Cameron Lam features movement and momentum in this month's playlist, looking at Australian Classical, Jazz, and Sound Art releases through the lens of drift.
During his upcoming Australian tour, the great Welsh bass-baritone will be sharing his favourite music and the knowledge he has accumulated over 40 years in the spotlight.
Your essential coast-to-coast guide to the Australian music being played on our concert stages this month.
Simone Young talks about Wagner, the differences between Bayreuth and the Sydney Opera House, and why Salome is perfect to follow the SSO's Ring Cycle.
Dean Bryant was keen to cast Christie Whelan Browne in the stage adaptation of All About Eve. But should she play Margo or Eve? Why not both?
The Bidjara songwoman and composer, known as ‘Australia’s Dreamtime Opera Diva’, explains how the birds taught her to sing and why she played music to her son, didgeridoo virtuoso Willam Barton, even before he was born.
The ASQ's new fund is almost a third on the way to its $15 million goal, which aims to ensure the ensemble's long-term sustainability.
Australian guitarist Andrew Blanch shares touring tales and explores the cultural crossings behind his latest album and upcoming gigs.
The SXS were the unflappable ringmasters when the circus came to town, profanely combining chamber music with acrobatics in virtuosic mayhem.
After reported frustration with the organisation's programming of musicals, the Japanese billionaire's contract will lapse in December.
More revenue than ever before, but Australian artists are being increasingly left out of the streaming market, new report reveals.
A rediscovered Pleyel concerto puts the Brandenburg’s principal bass in the spotlight.
Tyran Parke’s new production of The Trumpet of the Swan puts theatrical imagination at the heart of Opera Australia’s new family show.
With a score by Nico Muhly, this immersive exploration of space and time finds its apotheosis in Tristan und Isolde.
Metropolitan Opera, Royal Opera and La Fenice to join Australian artists in a gala honouring the legendary soprano.
After reported frustration with the organisation's programming of musicals, the Japanese billionaire's contract will lapse in December.
The vocal equivalent of two marathons back-to-back, this is Don Carlo and Il trovatore done right.
In its third year, the festival boasts two complete operas in a four-day celebration of music, food and country hospitality.
This comedy-horror musical in which a group of cheerleaders encounter a slasher feels unfocused, but you can't fault the terrific production.
The human hand takes centre stage in a Limelight issue devoted to imagination, craft, rediscovery and reinvention.
Jonathan Biggins talks to Deborah Jones about his new novel, Near Death in Venice – the first in a cosy crime series.
Monty Python fans will doubtless embrace it, but Spamalot feels dated, not helped by modest production values.
A superb cast makes light work of Mia Chung's knotty portrait of two working-class American families.
Cameron Mackintosh’s acclaimed production returns to Australia for the first time in more than a decade, opening 40 years after its local premiere.
Germany’s leading classical company brings its justly admired production of Petipa’s great ballet to Melbourne
"Our 75th anniversary is about honouring our past without being held by it,” says Artistic Director Leanne Stojmenov.
An agreeable evening of dance fails to live up to the challenge.
The award-winning Australian choreographer and performer "privileged to build on this enduring home for dance".
The October issue celebrates renewal, mentorship, musical discovery and the growing international presence of Australian artists.
The October issue celebrates renewal, mentorship, musical discovery and the growing international presence of Australian artists.
Costanzo’s cultural pilgrimage is a virtuoso literary performance.
Beth Taylor and Hamish Brown explore the many moods of the sea in this lovely recital.
A great pianist and a great composer in their prime.
Weill’s melting-pot masterpiece soars in Opera North’s live recording.
Whately embodies the master’s voice and the women he inspired.
Bicket delivers a first-night Cesare that Handel would have recognised.
Explore our 2026 Guide and vote for your favourite pieces of Australian art music.
Our specialist writers analyse this year’s offerings in theatres and concert halls.
Find out what’s happening this week and add your own events to our free online calendar.
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