Limelight Artists of the Year 2026: It’s time to have your say
Limelight subscribers are invited to nominate the three Australian and three international artists who have most inspired and entertained you this year.
Limelight subscribers are invited to nominate the three Australian and three international artists who have most inspired and entertained you this year.
Australian great Emma Matthews stars in a vibrant BCMF program of opera, dances and chamber repertoire.
Your essential coast-to-coast guide to the Australian music being played on our concert stages this month.
New seating, lifts, accessible amenities and upgrades to sound, lighting and climate control systems ready the State Theatre for decades to come.
The 2026 Guide to Australian Art Music is a celebration of the breadth of our community and an invitation to listen with curious ears. Vote for your favourites now!
What can the music industry expect from the parties contesting the upcoming Victorian Election in November 2026? Jon Perring digs deep into the detail.
Laura Hansford talks about her new production of Bizet’s Carmen for State Opera South Australia, in which Don José is seen to fail as a human being rather than its heroine.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
Contribute to Limelight and support independent arts journalism.
An intricate music and multimedia experience presents layer upon layer of shifting perspectives.
Siobahn Stagg’s Chamberfest is a magnificent celebration of art song and the power and importance of music.
In a technically flawless and tasteful recital, Lewis sets Mozart’s piano sonatas among composers who owe him more than they might seem to.
Aaron Wyatt’s invigorating music transposes Vivaldi’s conceit to Noongar boodjar.
A new work by Miriama Young takes flight, Andrea Lam delights and Mendelssohn’s fourth sparkles.
Fundamentally ambivalent, progressively mortifying, The Unfriend holds up a winking funhouse mirror to these divided, truth-troubled times.
The October issue celebrates renewal, mentorship, musical discovery and the growing international presence of Australian artists.
As she returns to Australia, Siobhan Stagg talks curating this year's Chamberfest and the recital programs in store.
It's exciting to "discover" lost music, writes composer Dulcie Holland's granddaughter Julie Ihle. But music is only truly found when it can be heard.
Ying Fang returns to Sydney to perform Canteloube’s evocative songs with the Sydney Symphony Orchestra.
We examine Australia’s orchestral fellowship and mentorship programs to discover what they offer the participants.
Laura Hansford talks about her new production of Bizet’s Carmen for State Opera South Australia, in which Don José is seen to fail as a human being rather than its heroine.
Breandáin O’Shea reports from this year’s Musikfest Berlin where three Australian composers featured in the 75th-anniversary program.
Ahead of his Australian tour, British pianist Paul Lewis chats about Beethoven, Mozart and why he feels no need for a holiday.
Siobahn Stagg’s Chamberfest is a magnificent celebration of art song and the power and importance of music.
In a technically flawless and tasteful recital, Lewis sets Mozart’s piano sonatas among composers who owe him more than they might seem to.
A new work by Miriama Young takes flight, Andrea Lam delights and Mendelssohn’s fourth sparkles.
James Ledger’s new Clarinet Concerto dazzlingly premiered; Rachmaninov's Second superlatively delivered.
Your essential coast-to-coast guide to the Australian music being played on our concert stages this month.
As she returns to Australia, Siobhan Stagg talks curating this year's Chamberfest and the recital programs in store.
Davidsen’s explores five of Verdi’s more complicated ladies.
As she returns to Australia, Siobhan Stagg talks curating this year's Chamberfest and the recital programs in store.
Benjamin Britten’s take on the Henry James novella comes to life – and death – in this restrained yet psychologically rich Victorian gothic production.
Beneath the polished showmanship, this classical crossover showcase keeps music with a classical foundation alive for a new generation.
This ingenious soupçon of Debussy’s Pelléas et Mélisande has all the makings of a five-star night at the opera.
Global stars Ray Chen, Sumi Jo and Paul Lewis just some of the big names and musical reputations heading to the ACT's premier concert venue in 2027.
Fundamentally ambivalent, progressively mortifying, The Unfriend holds up a winking funhouse mirror to these divided, truth-troubled times.
Renowned Australian playwright Tom Holloway tackles AI with past-is-present insights that can’t fail to resonate.
An underdeveloped play but a fun, light watch, with ample laughs and a cast with great chemistry.
Artistic Director Dean Bryant's 2027 season is all about "artists taking on big questions with humour and nerve".
A Greek classic reimagined, an Australian classic reborn and a sequel to a STCSA hit in a season designed to get people talking.
Music, theatre and animation converge to tell the story of two remarkable Australian naturalists.
An agreeable evening of dance fails to live up to the challenge.
The award-winning Australian choreographer and performer "privileged to build on this enduring home for dance".
The October issue celebrates renewal, mentorship, musical discovery and the growing international presence of Australian artists.
The October issue celebrates renewal, mentorship, musical discovery and the growing international presence of Australian artists.
What Mao’s Last Dancer did next.
Named in honour of Dame Peggy van Praagh and Keith Bain, the two fellowships provide $20,000 each in direct support.
Davidsen’s explores five of Verdi’s more complicated ladies.
Australian horn scores traverse serene and rocky terrains.
From stage to parlour, Aussie piano duo put on a first-class show.
Greco and Helyard ends their HIP Schubert trilogy in fine style.
Hindoyan and his Liverpudlian forces finesse Falla.
More seismic Sturm und Drang from Ian Page and his crack London Mozart outfit.
Explore our 2026 Guide and vote for your favourite pieces of Australian art music.
Our specialist writers analyse this year’s offerings in theatres and concert halls.
Find out what’s happening this week and add your own events to our free online calendar.
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