The human hand takes centre stage in a Limelight issue devoted to imagination, craft, rediscovery and reinvention.
"Our 75th anniversary is about honouring our past without being held by it,” says Artistic Director Leanne Stojmenov.
Mirabilis Collective is presenting Australia's first chamber festival devoted to music by women, with much of it being aired for the first time. But the real test, argues musicologist Stacy Olive Jarvis, lies in whether anyone performs it again.
After 32 years at the mic, Ford leaves The Music Show to focus full-time on his own music. "Maybe there’ll be some new books, too," he says.
Limelight subscribers are invited to nominate the three Australian and three international artists who have most inspired and entertained you this year.
The 2026 Guide to Australian Art Music is a celebration of the breadth of our community and an invitation to listen with curious ears. Vote for your favourites now!
Laura Hansford talks about her new production of Bizet’s Carmen for State Opera South Australia, in which Don José is seen to fail as a human being rather than its heroine.
Arts Centre Melbourne reopens the Ian Potter State Theatre this month. It’s just one of a number of new and revitalised venues around the country.
Contribute to Limelight and support independent arts journalism.
An intricate music and multimedia experience presents layer upon layer of shifting perspectives.
Siobhan Stagg’s Chamberfest is a magnificent celebration of art song and the power and importance of music.
In a technically flawless and tasteful recital, Lewis sets Mozart’s piano sonatas among composers who owe him more than they might seem to.
Aaron Wyatt’s invigorating music transposes Vivaldi’s conceit to Noongar boodjar.
A new work by Miriama Young takes flight, Andrea Lam delights and Mendelssohn’s fourth sparkles.
Fundamentally ambivalent, progressively mortifying, The Unfriend holds up a winking funhouse mirror to these divided, truth-troubled times.
Your essential coast-to-coast guide to the Australian music being played on our concert stages this month.
The October issue celebrates renewal, mentorship, musical discovery and the growing international presence of Australian artists.
As she returns to Australia, Siobhan Stagg talks curating this year's Chamberfest and the recital programs in store.
It's exciting to "discover" lost music, writes composer Dulcie Holland's granddaughter Julie Ihle. But music is only truly found when it can be heard.
Ying Fang returns to Sydney to perform Canteloube’s evocative songs with the Sydney Symphony Orchestra.
Laura Hansford talks about her new production of Bizet’s Carmen for State Opera South Australia, in which Don José is seen to fail as a human being rather than its heroine.
Breandáin O’Shea reports from this year’s Musikfest Berlin where three Australian composers featured in the 75th-anniversary program.
Ahead of his Australian tour, British pianist Paul Lewis chats about Beethoven, Mozart and why he feels no need for a holiday.
The human hand takes centre stage in a Limelight issue devoted to imagination, craft, rediscovery and reinvention.
Mirabilis Collective is presenting Australia's first chamber festival devoted to music by women, with much of it being aired for the first time. But the real test, argues musicologist Stacy Olive Jarvis, lies in whether anyone performs it again.
A richly rewarding cross-cultural journey that resonates on many levels.
Siobhan Stagg’s Chamberfest is a magnificent celebration of art song and the power and importance of music.
In a technically flawless and tasteful recital, Lewis sets Mozart’s piano sonatas among composers who owe him more than they might seem to.
A new work by Miriama Young takes flight, Andrea Lam delights and Mendelssohn’s fourth sparkles.
The human hand takes centre stage in a Limelight issue devoted to imagination, craft, rediscovery and reinvention.
Davidsen’s explores five of Verdi’s more complicated ladies.
As she returns to Australia, Siobhan Stagg talks curating this year's Chamberfest and the recital programs in store.
Benjamin Britten’s take on the Henry James novella comes to life – and death – in this restrained yet psychologically rich Victorian gothic production.
Beneath the polished showmanship, this classical crossover showcase keeps music with a classical foundation alive for a new generation.
This ingenious soupçon of Debussy’s Pelléas et Mélisande has all the makings of a five-star night at the opera.
The human hand takes centre stage in a Limelight issue devoted to imagination, craft, rediscovery and reinvention.
Sydney's youth arts crucible aims to raise $50,000 to support its pay-what-you-can programs and scholarships.
Fundamentally ambivalent, progressively mortifying, The Unfriend holds up a winking funhouse mirror to these divided, truth-troubled times.
Renowned Australian playwright Tom Holloway tackles AI with past-is-present insights that can’t fail to resonate.
An underdeveloped play but a fun, light watch, with ample laughs and a cast with great chemistry.
Artistic Director Dean Bryant's 2027 season is all about "artists taking on big questions with humour and nerve".
"Our 75th anniversary is about honouring our past without being held by it,” says Artistic Director Leanne Stojmenov.
An agreeable evening of dance fails to live up to the challenge.
The award-winning Australian choreographer and performer "privileged to build on this enduring home for dance".
The October issue celebrates renewal, mentorship, musical discovery and the growing international presence of Australian artists.
The October issue celebrates renewal, mentorship, musical discovery and the growing international presence of Australian artists.
What Mao’s Last Dancer did next.
A richly rewarding cross-cultural journey that resonates on many levels.
Uchida’s leave-taking of the last sonatas is magisterial.
Davidsen’s explores five of Verdi’s more complicated ladies.
Australian horn scores traverse serene and rocky terrains.
From stage to parlour, Aussie piano duo put on a first-class show.
Greco and Helyard ends their HIP Schubert trilogy in fine style.
Explore our 2026 Guide and vote for your favourite pieces of Australian art music.
Our specialist writers analyse this year’s offerings in theatres and concert halls.
Find out what’s happening this week and add your own events to our free online calendar.
Substantial discounts when you subscribe to Limelight and a partner arts organisation.
