Australian live arts audiences are growing, but so is the cost barrier
Rising costs have prohibited more than half of Australians from attending a live show, while classical music audiences grow, finds Creative Australia in its latest survey.
Rising costs have prohibited more than half of Australians from attending a live show, while classical music audiences grow, finds Creative Australia in its latest survey.
Sydney-born, Berlin-based violinist Beatrice Colombis competes for a first prize that includes $40,000 NZ and a recording deal.
Your essential coast-to-coast guide to the Australian music being played on our concert stages this month.
The Geelong-based theatre company will be the first Australians to hold the significant position of Portrait artist at the Festival d'Automne à Paris.
Brisbane-born soprano Xenia Puskarz Thomas receives $25,000 to support her rapidly-rising international career.
Simone Slattery and Anthony Albrecht discuss The Bowerbird Collective's Melbourne debut at Elizabeth Murdoch Hall, featuring a cinematic ode to the evolution of song.
At this year’s Australian Festival of Chamber Music, a concert inspired by Horrible Histories will explore the demise of several composers.
Soon to play with the Australian World Orchestra, Linda Stuckey, Associate Principal Piccolo with the Hong Kong Philharmonic, explains why the piccolo is such a dangerous instrument.
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A strange fever dream of a production leads you down the highway to hell and back.
China's detention of journalist Cheng Lei is an important and compelling story but one that might best be served in other formats.
Camerata delivered thrilling accounts of Beethoven's Eroica Symphony and Julian Yu's reimagination of Mussorgsky's Pictures at an Exhibition.
Andrew Bevis delivers an impressive performance in the dual role of Michael and Dorothy in this entertaining musical comedy.
This concert of arias and duets was exceedingly well curated and performed; another feather in the cap for Artistic Director Ana de la Vega.
A program pairing Czech classics with a new piano concerto balances frenetic virtuosity and thoughtful contemplation.
Eddy Chen and Brett Yang have become YouTube sensations as TwoSet Violin, taking classical music to new audiences through their tongue-in-cheek videos.
Ahead of his tour with the Australian Brandenburg Orchestra, Italian baritone Renato Dolcini reflects on his passion for Baroque music and his collaboration with William Christie.
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As the end of the financial year approaches, we look into the Australian Cultural Fund’s revolutionary rethinking of the ways in which artists can connect with potential donors.
Samuel Cairnduff explores how political pressure, weak leadership and funding models are reshaping what Australian arts organisations dare to do.
Steve Dow talks with actors Googoorewon Knox and Guy Simon, and playwright Jane Harrison about her new play Bennelong in London.
Limelight partners with Australian Festival of Chamber Music for an immersive Cairns experience led by Rachel Whealy.
Ahead of her title-role debut in Opera Australia’s The Merry Widow, soprano Emma Pearson tells us why operetta deserves pride of place alongside opera.
Sydney-born, Berlin-based violinist Beatrice Colombis competes for a first prize that includes $40,000 NZ and a recording deal.
Rising costs have prohibited more than half of Australians from attending a live show, while classical music audiences grow, finds Creative Australia in its latest survey.
Immaculate quintet go on a journey from Hildegard to Kate Bush.
Your essential coast-to-coast guide to the Australian music being played on our concert stages this month.
Simone Slattery and Anthony Albrecht discuss The Bowerbird Collective's Melbourne debut at Elizabeth Murdoch Hall, featuring a cinematic ode to the evolution of song.
Aspiring young orchestral musicians can apply to AYO for a range of programs to uplift both performance and professional skills.
Rising costs have prohibited more than half of Australians from attending a live show, while classical music audiences grow, finds Creative Australia in its latest survey.
Brisbane-born soprano Xenia Puskarz Thomas receives $25,000 to support her rapidly-rising international career.
This concert of arias and duets was exceedingly well curated and performed; another feather in the cap for Artistic Director Ana de la Vega.
Ahead of his tour with the Australian Brandenburg Orchestra, Italian baritone Renato Dolcini reflects on his passion for Baroque music and his collaboration with William Christie.
Jake Lyle, who played The Phantom on Sydney Harbour, is one of OA's new Young Artists, who will perform in concert with the graduating class in August.
An unforgettable Australian night of opera inspired by the landscape and spirit of the outback.
Rising costs have prohibited more than half of Australians from attending a live show, while classical music audiences grow, finds Creative Australia in its latest survey.
The Geelong-based theatre company will be the first Australians to hold the significant position of Portrait artist at the Festival d'Automne à Paris.
A strange fever dream of a production leads you down the highway to hell and back.
China's detention of journalist Cheng Lei is an important and compelling story but one that might best be served in other formats.
Andrew Bevis delivers an impressive performance in the dual role of Michael and Dorothy in this entertaining musical comedy.
The real-life fake heiress who was the subject of a Netflix mini-series is the inspiration for this fast-paced, dialogue-driven play.
Rising costs have prohibited more than half of Australians from attending a live show, while classical music audiences grow, finds Creative Australia in its latest survey.
Musician Stephen Pigram, director and playwright John Harvey, and artist Bronwyn Bancroft are amongst this year's honourees.
Inaugural recipient Beau Dean Riley Smith will develop a new major work which the dance company will premiere.
This triple bill reminds audiences of the social and cultural issues that connect people and place.
Queensland Ballet takes its audience to Europe for a triple bill with personal meaning.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
Immaculate quintet go on a journey from Hildegard to Kate Bush.
The pianists, mostly British, performed these unfamiliar, challenging works with extraordinary discipline and flair.
Bychkov and his Prague forces prioritise history over histrionics.
Each piece in cellist-composer Hilary Kleinig's colourful solo debut is a star in its own right.
The attractive works of another talented Bach revealed.
Flanders and North Africa collide in an emperor’s fantasy funeral.
Explore the guide and listen to our 25 in 25 playlist of Australia’s favourite art music.
Our specialist writers analyse this year’s offerings in theatres and concert halls.
Read our complete coverage of this year’s Canberra International Music Festival.
Find out what’s happening this week and add your own events to our free online calendar.
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