Víkingur Ólafsson, Caroline Shaw and the Leonkoro Quartet headline Iain Grandage’s first season as MRC's Chief Curator.
Injured in a fall, violinist Madeleine Easton faced the possibility that she might never play professionally again. Her recovery brought with it some unexpected benefits.
The team behind Musica Viva Australia’s education program On the Wireless encourages students to listen deeply – and to get loud!
International stardom came late but Patrick Stewart was already among acting's greats long before he played Captain Jean-Luc Picard.
Nominations for Limelight’s 2026 Artists of the Year are open until Monday 2 November, 8:59am AEDT. Have your say before entries close.
The 74th Perth Festival combines international music names with First Nations commissions, European theatre and dance, and large-scale works across the city, river and coastline.
Hollis Taylor chats about her new work for Musica Viva Australia, co-composed with Jon Rose for the Latvian Radio Choir and recorder virtuoso Genevieve Lacey.
Though appealing at first, this fabular film’s oddness yields diminishing results.
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Haydn comes close to miraculous; Chaminade proves a harder sell.
For a playwright who has previously commanded the stage with such force, Strong Is the New Pretty feels like a missed opportunity.
Melbourne marked the 60th anniversary of the Aberfan tragedy with the first Australian performance of the full orchestral version of Karl Jenkins' Cantata.
Kathryn Selby and her talented pals score a hat-trick with this feast of Brahms firsts.
Four jazz heavyweights find the perfect balance between individual brilliance and collective musicality.
Sweet and lowdown: David Campbell and colleagues explore bass-driven and rarely heard works.
Cellist Mischa Maisky and his pianist daughter Lily Maisky bring their instinctive musical partnership to Australia for the first time.
Perfect programming and a star-studded lineup take us to cloud nine on the Apple Isle.
Log in to read the flipbook version of Limelight's November 2026 magazine.
Ahead of a free public concert of Henryk Górecki’s Symphony No. 3 in Melbourne, Peter Tregear unpacks a work that rose from the modernist margins to the top of the charts.
With a week to go to vote for your favourite tracks in Limelight's Guide, the AMC's Catherine Haridy talks up the importance of Australian art music.
Tyran Parke’s new production of The Trumpet of the Swan puts theatrical imagination at the heart of Opera Australia’s new family show.
Hollis Taylor chats about her new work for Musica Viva Australia, co-composed with Jon Rose for the Latvian Radio Choir and recorder virtuoso Genevieve Lacey.
During his upcoming Australian tour, the great Welsh bass-baritone will be sharing his favourite music and the knowledge he has accumulated over 40 years in the spotlight.
Injured in a fall, violinist Madeleine Easton faced the possibility that she might never play professionally again. Her recovery brought with it some unexpected benefits.
Haydn comes close to miraculous; Chaminade proves a harder sell.
The team behind Musica Viva Australia’s education program On the Wireless encourages students to listen deeply – and to get loud!
Víkingur Ólafsson, Caroline Shaw and the Leonkoro Quartet headline Iain Grandage’s first season as MRC's Chief Curator.
Ned Beckley and Josh Hogan take home four gongs, with Christopher Larkin, Antony Partos and Helena Czajka among the winners.
Perfect programming and a star-studded lineup take us to cloud nine on the Apple Isle.
The 74th Perth Festival combines international music names with First Nations commissions, European theatre and dance, and large-scale works across the city, river and coastline.
Matthew Lutton looks to the otherworldly, surreal and fantastical in his second year as Artistic Director.
The company marks 25 years of independent operation with four major productions, including Parsifal, Rigoletto and Tosca.
Tyran Parke’s new production of The Trumpet of the Swan puts theatrical imagination at the heart of Opera Australia’s new family show.
With a score by Nico Muhly, this immersive exploration of space and time finds its apotheosis in Tristan und Isolde.
Metropolitan Opera, Royal Opera and La Fenice to join Australian artists in a gala honouring the legendary soprano.
The 74th Perth Festival combines international music names with First Nations commissions, European theatre and dance, and large-scale works across the city, river and coastline.
For a playwright who has previously commanded the stage with such force, Strong Is the New Pretty feels like a missed opportunity.
Matthew Lutton looks to the otherworldly, surreal and fantastical in his second year as Artistic Director.
This comedy-horror musical in which a group of cheerleaders encounter a slasher feels unfocused, but you can't fault the terrific production.
The human hand takes centre stage in a Limelight issue devoted to imagination, craft, rediscovery and reinvention.
Jonathan Biggins talks to Deborah Jones about his new novel, Near Death in Venice – the first in a cosy crime series.
The 74th Perth Festival combines international music names with First Nations commissions, European theatre and dance, and large-scale works across the city, river and coastline.
Matthew Lutton looks to the otherworldly, surreal and fantastical in his second year as Artistic Director.
Four choreographers unite for a major new work as Rafael Bonachela prepares his final full-length commission as artistic director.
Germany’s leading classical company brings its justly admired production of Petipa’s great ballet to Melbourne
"Our 75th anniversary is about honouring our past without being held by it,” says Artistic Director Leanne Stojmenov.
An agreeable evening of dance fails to live up to the challenge.
This compilation of recordings released between 2016 and 2018 demonstrates a high standard of musicianship but is stylistically unbalanced.
Beth Taylor and Hamish Brown explore the many moods of the sea in this lovely recital.
A great pianist and a great composer in their prime.
Weill’s melting-pot masterpiece soars in Opera North’s live recording.
Whately embodies the master’s voice and the women he inspired.
Bicket delivers a first-night Cesare that Handel would have recognised.
Explore our 2026 Guide and vote for your favourite pieces of Australian art music.
Our specialist writers analyse this year’s offerings in theatres and concert halls.
Find out what’s happening this week and add your own events to our free online calendar.
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