Mozart, Dvořák and a world premiere. This ambitious concert was a warm welcome to the MCO’s 2024 concert season.

Anne Cawrse and Kate Llewellyn’s song cycle is a transcendent work, its world premiere hopefully the first of many more performances to come.

New faces, international guest artists, returning favourites and a bittersweet farewell – the 2024 AFCM is brimming with gems.

Proclaiming “no allegiance to either end of the historical spectrum,” Brooklyn Rider's post-genre approach found an appreciative Melbourne audience.

Latitude 37 and a bespoke string sextet make for a concert filled with hope, promise and transfiguration.

A transfixed audience in the Primrose Potter Salon was treated to music from across cultures in the 3MBS Marathon’s fourth concert.

Ridout celebrates the great Lionel Tertis and all things viola.

Anna Dowsley slays in this drolly amusing – if a little confusing – showcase of songs by the American composer William Bolcom.

Ahead of an Adelaide Festival performance of their two song cycles, Nigel Westlake and Lior talk about their collaborative process and what comes first: the words or music.

If audience reaction to this concert is anything to go by, Omega Ensemble is well on its way to cementing a whole new fanbase.

An intimate program of string quartets by Haydn, Mozart and Mendelssohn expertly played by AHE in foursome mode.

Fours Winds suspends its traditional Easter weekend festival in favour of a diverse, all-year program of concerts and events.