World Premiere: From Shadows to Light
Sally Greenaway responds to our collective experience of navigating the pandemic in a poignant new work for four double basses.
Sally Greenaway responds to our collective experience of navigating the pandemic in a poignant new work for four double basses.
Samantha Wolf explains how bonding with reality TV during the pandemic inspired her new piece for Ensemble Offspring.
Beethoven’s final utterance and Webern’s earliest conclude Danish String Quartet series.
Danes complete their Prism project, Bychkov delivers a blistering Resurrection, outstanding Beethoven from Ohlsson in the mountains, and Piers Lane goes to town . . . again!
The Composer-in-Residence at this year’s Australian Festival of Chamber Music (AFCM) explains how the theft of an 18th-century viola helped turn her into a composer.
A round-up of our recent news reports.
The latest arts appointments and departures.
Australian Baroque apply formidable technical prowess, knowledge and sensitivity to works by a composer at the height of his powers.
Advice dating back to the court of Frederick the Great still stands for students of Historically Informed Performance.
The inaugural four-concert festival will feature chamber music and art song by Britain's musical greats.
A celebration of music both Great and British, Fish, Chips & Warm Beer was brilliantly played and passionately delivered.
Claire Edwardes, Anne Cawrse and Celia Craig are among this year’s nominees in an event celebrating women on stage and behind the scenes.
The composer discusses a new work that imagines the harmonic series of our solar system and employs magic squares to give each planet a musical colour.