Kind of Light is perhaps yet to hit its stride, but this evening of experimental music was still a great night out and an exciting sign of things to come.
Olivia Davies and Jae Laffer have been awarded the year-long residencies by the Peggy Glanville-Hicks Composers' House Trust.
Levit’s fascinating take on love, death and the whole damn thing.
The decorated maestro has cited a neurological condition and the need to focus on his physical well-being as the reasons for withdrawing from conducting duties for the time being.
Drawing upon his instincts as a composing musician, the Finnish piano virtuoso gives a masterful reading of Beethoven and Bach at Adelaide's UKARIA Cultural Centre.
The vivacious concert brought together many of Sydney's leading percussionists in a program that celebrated successive generations of Synergy, Taikoz and their offshoots.
In the fourth and final concert of its Beethoven series, the ASO gave committed and virtuosic performances of the 8th and 9th Symphonies under Douglas Boyd.
The young Australian clarinettist talks about his incredible victory and his upcoming performance with the Willoughby Symphony Orchestra of his commission for Alice Chance.
Artistic Director Katie Yap presents a crucial path forward for the cultivation of new audiences of Western art music in Australia, as well as providing a much-needed platform for women composers.
After a 22-year tenure as Concertmaster, Warwick Adeney will step down from the role to pursue teaching and music-making more broadly.
Nature or nurture? The elite Bach group explores the shaping of the musical genius in a program including works by his contemporaries and a superb performance by countertenor Russell Harcourt.
Eclectic electric century-hopping guitar recital from Scottish guitarist.
Donald Runnicles leads the SSO in a stunning Sydney debut by Grammy-winning violinist Augustin Hadelich, and a moving homage to the Queen.
