Simone Young discusses the highlights of her second “theatrical” year as the SSO’s Chief Conductor, including several works she will conduct for the first time in her celebrated career.
Festival Director Ian Cleworth discusses the inaugural BOOM! International Festival of Percussion, which celebrates percussive beats across the spectrum from cutting-edge art music to Afro-Latin.
Why taking music out of the concert hall has been a key element in Lamorna Nightingale's programming for BackStage Music.
Bertrand Chamayou casts an all-encompassing gaze on Messiaen’s extraordinary world.
With the MSO under Maestro Benjamin Northey, violinist Emily Sun gave a performance of Korngold's Violin Concerto that warrants recording, as does the orchestra's rendition of Hyde's Village Fair.
Inside an extraordinary building in Chippendale, one of Sydney’s most exciting new spaces is taking wing.
Mozart's piano sonatas, performed on his own instrument by modern master Robert Levin.
Following its success last year, the $90,000 fund will support the creation of up to 15 new works from underrepresented voices.
Melbourne-born Artistic Director, Maurizio Scardovi, discusses the program highlights and shares his hopes for the Italian festival celebrating Bolognese composer Ottorino Respighi.
Ensemble Offspring's micro-festival was a tribute to the transformative power of living new music, and sent the audience home grinning.
Sydney-based trumpeter and composer, Tom Avgenicos, has won this year's Jazz Fellowship, which he will use to develop his collaborative practice and work on an environmental project.
Lecuona’s Cuban miniatures take centre stage in sparkling new take on salon music.
The 78-page report exposes alarming levels of sexual assault, harassment and bullying, and makes 17 recommendations to provide a path forward to a safer industry.
