Porpora’s battle of the castrati scrubs up nicely.

With a high degree of difficulty, the inaugural cohort of OA’s revitalised Young Artist Program more than prove they are ready for their mainstage debuts.

Britten’s The Prince of the Pagodas leads a strong field across five categories.

Vividly visceral staging brings out the animal in Verdi's Macbeth and makes it worth experiencing again.

Log in to read the flipbook version of Limelight's December 2025 magazine.

Peter Sellars and Julia Bullock talk collaboration ahead of the Adelaide Festival run of Perle Noire: Meditations for Joséphine.

The Australian Museum of Performing Arts opens this month with DIVA, an exhibition from London’s Victoria and Albert Museum.

This month, instead of his usual On the Record column, Clive Paget recommends some recent Christmas albums, leading to his festive top three.

This month’s performance highlights from ABC Classic, independent radio and streaming.

Limelight closes out the year in grand style, with stories of creativity and resilience lighting up our December issue.

Pulling out all the stops, State Opera South Australia’s Artistic Director Dane Lam talks about the company’s Golden Jubilee.

Tymms, who made her Opera Australia debut earlier this year in Cendrillon, “absolutely thrilled and deeply grateful” to receive the prize.