Opera Australia at 70: Classics and new voices in a season of celebration
Creating Opera Australia's 2026 season without an artistic director has been a galvanising challenge, "a real team effort".
Creating Opera Australia's 2026 season without an artistic director has been a galvanising challenge, "a real team effort".
A compelling case for one of Saariaho's most emotionally resonant works.
Michael Sumuel, Siobhan Stagg and Kiandra Howarth deliver textbook examples of how to sing Mozart under Maestro Matteo Dal Maso.
A first-time collaboration between major regional companies might just switch Australian opera onto a new track.
In the second part of our look at the changing face of China’s arts scene, Tim Draxl, Lise Lindstrom, Dane Lam and Ivan Gil-Ortega share their experiences.
Founded in 1935, GSOV sticks to its founding statement: "To perpetuate the memory of those two men ... and, generally speaking, have a good time.”
A musically rich and evocative presentation of the true-crime story of Victoria's “amazingly gay bushrangers".
In part one of this two-part feature, we hear from Torben Brookman, Sarah Brightman and Dane Lam about the opportunities and challenges they see in the huge and fast-evolving Chinese market for music and theatre.
Log in to read the flipbook version of Limelight's August 2025 magazine.
It’s our 250th issue and we couldn’t be prouder. We look back at our history and ask our publisher, Bruce Watson, as well as several long-time subscribers what Limelight means to them.
State Opera South Australia’s Artistic Director Dane Lam tells us why audiences should expect a thrilling joyride when The Magic Flute arrives in Adelaide.
This month’s performance highlights from ABC Classic, independent radio and streaming.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.