Review: Weinberg: The Idiot (Wiener Philharmoniker, Mirga Gražinytė-Tyla)
Weinberg’s final opera sees the light of day.
Weinberg’s final opera sees the light of day.
A season to celebrate the company's heritage also "dares to imagine the future" of opera in Australia, says SOSA's Artistic Director Dane Lam.
Nominations for Limelight’s 2025 Artists of the Year have been extended to Monday 3 November, 8:59am AEDT. Have your say before entries close.
“An incredible gift at a very important time,” says New Zealand soprano Madison Nonoa.
American composer Sarah Kirkland Snider offers a refreshing, contemporary female perspective on Homer’s Odyssey.
It's World Opera Day on Saturday 25 October. Here's how to celebrate.
Convincing performances and a visually arresting production thrust Shakespeare’s tragedy into the contemporary world.
Perth Festival 2026 will see the city turned into a stage, with performances and installations reimagining its landmarks.
Even if the plot is dubious, it’s all about the music and the voices. And oh, what voices.
A new University of Melbourne production of Massenet's fairytale classic tunes into today’s digitally focussed, celebrity obsessed culture.
Log in to read the flipbook version of Limelight's November 2025 magazine.
In August, Opera Australia announced three key appointments, with one to follow. Peter Tregear discusses the restructure.
Opera Australia’s new Music Director, Andrea Battistoni, tells us why he was keen to take on the role and discusses the challenges ahead.