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Chamber, Classical Music, Opera, Opinion, Orchestral, Theatre
features

A Cultural Leadership Crisis

Australia’s arts sector faces a watershed moment. It has the opportunity to become the leading space for discourse – but only if there are major changes in cultural leadership.

December 20, 2024
Classical Music, Dance, Opera, Theatre
news

The January–February 2025 issue of Limelight is now available

A comprehensive guide to the performing arts in 2025; essential holiday listening; the must-see shows. Limelight is your ideal summer companion.

December 20, 2024
Chamber, Classical Music, Instrumental, Opera, Orchestral, Vocal & Choral
features

On the Record: January/February 2025

Essential holiday listening includes a Britten rarity, stunning recordings of Elgar and Tippett, a pair of oddball operas, and three outstanding discs of orchestral music by women.

December 20, 2024
Classical Music, Festivals, Opera, Orchestral, Theatre
features

On Stage: the events you need to see in January/February 2025

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

December 20, 2024
News, Opera
news

Pinchgut announces incoming Taryn Fiebig Scholar

Boy soprano turned bass-baritone Freddy Shaw named the next recipient of the Humanity Foundation Taryn Fiebig Scholarship.

December 17, 2024
News, Opera
news

Creative Australia to review Opera Australia management

Gabrielle Trainor to lead a deep-dive into the decision-making processes of the country's biggest arts organisation.

December 11, 2024
Classical Music, Opera
CD and Other Review

Review: Gluck: Iphigénie en Aulide (Le Concert de La Loge, Julien Chauvin)

A splendid new recording of Gluck's opera in its anniversary year.

December 11, 2024
Classical Music, Dance, News, Opera, Theatre
news

Introducing the January–February 2025 issue of Limelight

A comprehensive guide to the performing arts in 2025; essential holiday listening; the must-see shows. Limelight is your ideal summer companion.

December 10, 2024
Opera, Theatre
Live Review

Review: The Pirates of Penzance – In Concert (Prospero Arts Concert Series)

A top-shelf cast ensues little is lost in a stripped-back staging of Gilbert and Sullivan's rollicking melodrama.

December 6, 2024
Classical Music, Opera
CD and Other Review

Review: Camille Erlanger: La sorcière (Andreea Soare, Jean-François Borras, Orchestre et Choeur de la Haute école de musique de Genève, Guillaume Tourniaire)

Tourniaire rescues a fin-de-siècle opera and its composer from obscurity.

December 4, 2024
Opera
Live Review

Review: Guillaume Tell (New National Theatre, Tokyo)

Life, love, victory, and a simple man's search for meaning prevail in Rossini’s final opera.

December 3, 2024
Opera
Live Review

Review: The Diary of One Who Disappeared (Victorian Opera)

Leoš Janáček’s quasi-operatic song-cycle makes for a satisfying hour of neatly focused, transportive performance.

December 2, 2024
Opera
Live Review

Review: Le Belle Immagini (Australian Baroque & West Australian Opera)

In this concert, Brigette Heuser proves that mezzos can show pony just as much as the sopranos when given the opportunity to shine.

December 2, 2024

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