Fine Company
Thomas Edmonds talks to Jansson J. Antmann about life on the opera stage and the people he’s met along the way.
Thomas Edmonds talks to Jansson J. Antmann about life on the opera stage and the people he’s met along the way.
The latest arts appointments and departures.
Three centuries after its premiere, a little-known Spanish opera gets a hearing.
A year of partnerships and community-building for Brisbane's Voxalis Opera's fourth season.
The little company that could presents opera’s longest work in a vast space that proves surprisingly perfect.
Prize-winning opera turns out to be a winner after all.
Big reads, in-depth analysis of Limelight's Artists of the Year vote, and everything you need to stay on top of the classical music and performing arts scene.
We talk to director Suzanne Chaundy about creating "an absolute opera event" in an iconic UNESCO Heritage-listed venue.
A sumptuous, perfectly cast production of this rarely performed musical gives deeply satisfying context to some of Sondheim’s most loved songs.
Melbourne's Australian Contemporary Opera Company pulls the plug on its February festival. Slow advance sales to blame.
Management turbulence continues at Opera Australia with Fiona Allan departing after three years as CEO.
Rising Sydney soprano Eden Shifroni heads to London for two years of financially supported study at the Royal College of Music Opera Studio.
The free, Opera Australia-produced, BMW-sponsored event is ready to make a few opera converts among the crowd, says soprano Olivia Cranwell.