Review: Marsalis: Symphony No. 4, The Jungle (Wynton Marsalis, Jazz at Lincoln Center Orchestra, MSO)
Marsalis enters The Jungle to claim Gershwin and Bernstein’s crown.
Marsalis enters The Jungle to claim Gershwin and Bernstein’s crown.
Omega Ensemble, Dr Lou Bennett and Paul Dean among those recognised for outstanding achievements in the field of Australian music.
Tuck rounds off her entertaining and illuminating Czerny series in style.
Oppenheimer has an epic, layered soundtrack – but its real power is in the silence.
A gimmick? An existential threat? Limelight's cover story this month is devoted to the talking point of the year: Artificial Intelligence.
Queensland’s chamber band lets the sun shine in with 10 local composers.
The family of the famed composer of television and film scores has announced the composer’s death of a cerebral haemorrhage.
Swedish composer Ludwig Göransson has emerged through the fog of cinematic war as one of the biggest names in film music this year.
Aussie prodigy revels in the world of a 19th-century German prodigy.
Heather Shannon's new work, Strange Roses, brings synthesizer and orchestra into harmony one moment and into stark opposition the next.
Rather than drop the offensive lyrics from the outdated, patriotic songs so loved at Last Night of the Proms concerts, why not rewrite them, suggests Guy Noble?
Danes complete their Prism project, Bychkov delivers a blistering Resurrection, outstanding Beethoven from Ohlsson in the mountains, and Piers Lane goes to town . . . again!
Naomi Dodd will join the orchestra for a 12 month residency and write a new work to be premiered in October 2024.