Heather Shannon's new work, Strange Roses, brings synthesizer and orchestra into harmony one moment and into stark opposition the next.

Rather than drop the offensive lyrics from the outdated, patriotic songs so loved at Last Night of the Proms concerts, why not rewrite them, suggests Guy Noble?

Danes complete their Prism project, Bychkov delivers a blistering Resurrection, outstanding Beethoven from Ohlsson in the mountains, and Piers Lane goes to town . . . again!

Naomi Dodd will join the orchestra for a 12 month residency and write a new work to be premiered in October 2024.

MSO Chief Conductor Jaime Martín’s second season in the job is a wide-ranging campaign for hearts, minds and inflation-weary wallets.

Claire Edwardes, Anne Cawrse and Celia Craig are among this year’s nominees in an event celebrating women on stage and behind the scenes.

A community collaboration that dissolves the boundaries between cultures and creates a wondrous new musical performance.

Bychkov’s dramatic instincts craft a Resurrection full of light and shade.

Honouring established musicians such as Liza Lim, Paul Dean and Mindy Meng Wang, this year’s Awards also celebrate an exciting number of first-time nominees.

Cameron Lam’s monthly playlist covers Classical, Jazz and Sound Art that adventures across land, sky and sea before returning to the comfort of home.

Three exciting discoveries: Florence Price’s concertos and Randall Goosby’s violin.

A genuinely electrifying return to Hamer Hall for Zaachariaha Fielding, Michael Ross and the MSO.