Review: Underworld: An Operatic Journey to Hell and Back (Brisbane Festival)
Johannes Fritzsch and Michael Gow lead Queensland Conservatorium performers to triumph in an engaging and innovative retelling of an old tale.
Johannes Fritzsch and Michael Gow lead Queensland Conservatorium performers to triumph in an engaging and innovative retelling of an old tale.
Gamba and co prove there's more to Finnish music than Sibelius.
This month's features explore OA's new 'Digital Ring', the stage adaptation of The Dictionary of Lost Words, Mahler's Ninth, and Sir Eugene Goossens' push for the SOH.
This month, Cameron Lam’s Australian Art Music playlist collects rich pieces with perspectives to listen to, whether commenting on history, the world or current events.
As violinist Natalie Chee returns home to play Mahler's Symphony No. 9 with the AWO, she explains why it's so exciting to be part of the orchestra.
Epic sampling of a Hollywood maestro’s Brontë opera whets the appetite.
Dohr can command all the rich, round tone quality that this instrument is known for, but it is the security and lustre of his soft playing that is most remarkable.
No grounds for complaint as French Baroque violinist Théotime Langlois de Swarte shows why he's a rising star.
It’s time to vote for the Australian and international artists you’d most like to see honoured in this year’s Limelight Awards.
Orchestra Victoria's Indie Symphony showcases video game music "every bit as moving, melodic and evocative” as classical concert hall fare.
The SSO's Chief Conductor Simone Young talks to Limelight about some of her personal highlights in the upcoming season.
An imaginative program, played with conviction.
The Brandies celebrate key musical infrastructure in its 2024 season, from Notre Dame to Handel’s House.