An ensemble of five remarkable women delivers an electrifying fusion of mythology, sensuality and sonic daring.

American composer Sarah Kirkland Snider offers a refreshing, contemporary female perspective on Homer’s Odyssey.

Opera and musical theatre director Shaun Rennie to helm Tasmania's Festival of Voices in 2026. 

Next year, Pygmalion will make its Australian debut at the Adelaide Festival with a series of concerts surveying the European Baroque.

This month features a major rediscovery, Simon Rattle’s take on a concert staple, a probing Well-Tempered Clavier and, remarkably for the first time, the complete My Fair Lady.

Jordi Savall brings period energy and style to Haydn’s seasonal swansong.

Completing their 11th Australian tour, the “rock stars of Renaissance vocal music” deliver a sublime survey of chant over a thousand years.

Paul Stanhope’s remarkable Requiem is just what the world needs now.

A polished evening of song celebrates divine inspiration and the human voice in all its glory.

The QSO and Brisbane Chamber Choir Collective delivered an incredible, terrifying journey from the abyss to salvation in Verdi’s Requiem.

School's in for Lachlan McDonald, who will step onto the stage with the Tallis Scholars without so much as a rehearsal.

French wedding serenata brings out the raciness in the Red Priest.