Review: Der Schwanengesang (The Song Company)
A consummate, cerebral and satisfying concert of songs written at the very end of a very long life.
A consummate, cerebral and satisfying concert of songs written at the very end of a very long life.
The attractive works of another talented Bach revealed.
Flanders and North Africa collide in an emperor’s fantasy funeral.
Sydney Philharmonia Choirs brings consolation, some French brio and dark pentameter from the Bard.
Sixty projects to share in more than $1 million in funding; State Opera South Australia and Opera Hong Kong to partner up for Hansel & Gretel.
A gripping collaboration from the place where high tech and the human voice meet.
Some stunning moments but the overall impression is one of diligence and valiant effort.
SPC to sing at London’s Royal Albert Hall during its first UK tour in 15 years.
Admitting girls into the esteemed Oxford choir “quite a turning point” in the ensemble’s near 550-year history.
Rennert embraces her inner will-o’-the-wisp in a breathtaking recital.
Swedish mezzo-soprano Annie Ternström takes top honours; Australian singer among runners-up.
Artistic Director Nicholas Dinopoulos and Giovanni Consort air two works sharing a sublime, monumental beauty.
This month features new music from Huw Watkins and Bernadette Harvey, old music by Dowland and Zelenka and blockbusters care of Alkan, Bizet and Lise Davidsen.