Speechless: Giving voice to “the forgotten”
Composer Cat Hope reflects on the German premiere of her wordless opera Speechless and what it means in today's troubled Europe.
Composer Cat Hope reflects on the German premiere of her wordless opera Speechless and what it means in today's troubled Europe.
Brandies dish up a double serve of delicious Vivaldi, Seasoned to taste.
Lavish box set unearths long-awaited treasures by Frenchwomen of note.
From classical to contemporary, gospel to pop, this year's Festival of Voices traverses a rich choral landscape with Australian and international artists.
Saving the best for last, this year’s festival rings down the curtain with a world premiere and a moody reading of Schubert’s Octet.
In his new book, Roger Neill traces the extraordinary history of St Kilda's Simonsen family and gives us a taste of their fascinating life.
Mead’s eye for detail shows Restoration masterpieces in their true colours.
A round-up of our recent news reports.
The Marais Project takes us on a spine-tingling journey through 400 years of music and leaves the audience begging for more.
The third collaboration between WA Opera and UWA’s Conservatorium of Music, Oratorio is a startling resurrection of an “ugly duckling”.
The violist talks about the world premiere of his new work for Blackheath Chamber Music Festival and his first steps in writing for the voice.
An ambitious work new for orchestra, massed choirs and a single actor, Tides of Longing explores the refugee experience in a new way.
Buckingham Palace reveals further detail on the 12 new commissioned works for Their Majesties' Coronation at Westminster Abbey on 6 May.