Review: Brahms Ein deutsches Requiem (The Song Company)
Pocket edition of Brahms’s great humanitarian masterpiece is still writ large
Pocket edition of Brahms’s great humanitarian masterpiece is still writ large
This collection of Bach cantatas reunites an award-winning team to dazzling effect.
Clive Paget talks to the Norwegian soprano about her debut Decca song recital, featuring music by her famous compatriot, Edvard Grieg, the challenges of tackling Norwegian repertoire and how she literally ambushed Leif Ove Andsnes to get him onboard for the project.
Two different visions of Daniel Solander, Australia's first Swede.
The Australian composer discusses his new oratorio Watershed: The Death of Dr Duncan, which premieres at the Adelaide Festival.
Though this new work didn't entirely land, it's a bold, interesting and important experiment.
Sam Allchurch will never forget the first time he sang with Gondwana Voices. Applications for Gondwana National Choirs are now open. He encourages young people to apply; it could be their light-bulb moment.
Lying on yoga mats, the audience drifted on waves of glorious sound in a blissful concert.
Stephen Page's breathtaking, final production as Bangarra AD, combines dance, spoken word and song, and takes the company into exciting new territory.
The breakdancing Polish countertenor delights in a program of rediscovered gems.
Vivaldi for voice produces a chamber full of charms.
Worth the 30-year wait as Vienna band waxes lyrical with Zemlinsky.
Savall’s homage to Haydn is only the sum of its often elegant parts.