Review: Vivaldi: La Gloria e Imeneo (Teresa Iervolino, Carlo Vistoli, Abchordis Ensemble, Andrea Buccarella)
French wedding serenata brings out the raciness in the Red Priest.
French wedding serenata brings out the raciness in the Red Priest.
The 23-year-old Victorian mezzo-soprano takes home the prestigious Marianne Mathy Scholarship along with additional prizes.
An engrossing tapestry of ancient and modern from the G6.
This month features a new opera by Jake Heggie, dramas by Handel and Bantock, Sheku Kanneh-Mason and a treasurable new symphony by Mark Isaacs.
The founding Director of The Tallis Scholars, Britain’s revered early music vocal ensemble, discusses the group’s return to Australia.
Challenging repertoire, executed with a quiet confidence and attention to detail.
Michael Tippett’s most famous work delivered powerfully by the star-studded Sydney Philharmonia Choirs.
Hard to imagine a more vivid account of Handel’s grandest oratorio.
Cameron Lam’s September playlist creates a listening experience that keeps speeding up, using local Classical, Jazz and Sound Art.
A masterful performance of Verdi’s choral masterpiece sets the bar high early and keeps it there for the duration.
Your essential coast-to-coast guide to the Australian music being played on our concert stages this month.
Germany's techno aristocrat confirms his status in a showcase part demonic, part divine.
All musical material is “received”, believes Huw Belling. He explains why as he prepares to direct a program for The Song Company, which includes a world premiere of his own music.