Review: Handel’s Messiah (Melbourne Symphony Orchestra)
MSO brings a welcome touch of Scandinavian savvy to Melbourne’s festive season.
MSO brings a welcome touch of Scandinavian savvy to Melbourne’s festive season.
Sydney Philharmonia Choirs completes the journey it began in 2023 with the concluding chapters of Bach's monumental story of Christ's birth.
Brisbane is full of the Christmas spirit with this glorious performance of Handel’s Messiah.
Among the ranks of the forgotten, a genuine find, splendidly presented.
Limelight surveys the festive landscape in search of music experiences that will turn your Christmas light on.
A thoughtfully curated program unfolds with a naturalness that makes even the most demanding moments feel effortless.
The fresh sounds, harmonies and improvisations Erin Helyard infuses into this production turn the old into something new and extraordinary.
A thoughtful blending of two very Melburnian musical institutions, but an end result that falls just shy of inspiring.
A year of inspirational masterworks from Britten, Handel and Haydn alongside fresh Australian compositional voices.
Composer-conductor Aija Draguns talks about her brand new work about to be premiered by the Oriana Chorale.
Clarke’s full Monty proves an eclectic revelation.
Britten’s The Prince of the Pagodas leads a strong field across five categories.
Under director Sam Allchurch, Sydney Chamber Choir and guests illuminate a work of profound beauty and depth.