Review: Elgar, Adès: Violin Concertos (Christian Tetzlaff, BBC Philharmonic Orchestra, John Storgårds)
From Edwardian splendour to 21st-century edginess, Tetzlaff conquers it all.
From Edwardian splendour to 21st-century edginess, Tetzlaff conquers it all.
Among the ranks of the forgotten, a genuine find, splendidly presented.
Martín and his Melbourne forces revel in the familiar and unfamiliar.
Porpora’s battle of the castrati scrubs up nicely.
Wilson and Walton: a meeting of minds.
Clarke’s full Monty proves an eclectic revelation.
A wonderful lineup of soloists crowns a fine account of Elgar’s masterpiece.
Albanian diva shows two sides of the Euro in Donizetti double.
Kaufmann’s Doppelgänger is a double album to treasure.
Folk and classical meshes seamlessly in terrific trios for clarinet, violin and piano.
Petrenko and the BPO inject emotion into Schoenberg.
Weinberg’s final opera sees the light of day.
Kats-Chernin’s ancient stories chime with contemporary resonance.