As she prepares to perform in her own adaptation of The Shiralee for Sydney Theatre Company, Kate Mulvany discusses her life and work.

Rrawun Maymuru and Nick Wales discuss their new work for the Australian Brandenburg Orchestra, which includes live singing in the Yolŋu language.

State Opera South Australia’s Artistic Director Dane Lam and director Rodula Gaitanou talk about their new production of Gounod’s Roméo et Juliette.

A round-up of our recent news reports.

Morgan Pearse chats about his forthcoming engagements, including playing Mercutio in Roméo et Juliette for State Opera South Australia.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

Welcoming ideas as well as finalised scripts, the revamped Award aims to amplify unheard voices, encourage inclusivity and give rise to works that speak to a diverse audience.

One remarkable day at the Sydney Opera House reminds us that we shouldn't underestimate the public's thirst for classical music, writes Alexander Briger.

Newcastle's iconic Ocean Baths is the subject and the stage for a new play that can truly call itself 'immersive'.

Shostakovich responded to the political world around him in his compositions. We look at why his music remains as vital and relevant as ever.

Small companies are “vital” to Australia’s arts ecology, given “so much opera is being dictated by finances” higher up the chain, says soprano Celeste Lazarenko.

The Brisbane-based playwright discusses her play, Back to Bilo, about a family of Sri Lankan asylum seekers taken into immigration detention.