Review: Romeo and Juliet (The Australian Ballet)
John Cranko’s evergreen masterpiece proves the perfect vehicle for Callum Linnane’s final performances with The Australian Ballet.
DAMU-trained scenographer Jansson J. Antmann designed the Czech premiere of Andrew Lloyd Webber’s Tell Me on a Sunday. A presenter on 2MBS Fine Music Sydney and Editor of LaVie in Europe, he was Darlinghurst Theatre Company’s publicist, a regular on ABC Overnights and acting Deputy Editor at Limelight, where he is an ongoing contributor.
John Cranko’s evergreen masterpiece proves the perfect vehicle for Callum Linnane’s final performances with The Australian Ballet.
A transcendent program co-curated and composed by Ross Edwards is the perfect send-off for outgoing Festival Director Catherine Harker.
John Bell and Elysian Fields join forces in a world premiere that reimagines Shakespeare and Wyatt through evocative, jazz-infused settings.
Against the odds, the Australian premiere of Jonathan Dove and Graham Vick’s reduction pays off.
Two-time Grammy Award winner Sara Bareilles talks about her musical Waitress, returning to songwriting and finding meaning in loss.
As Alfie Boe prepares to return to Australia, the much-loved tenor talks about farewelling Les Misérables and the art of collaboration.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
The three-time Tony nominee’s insightful memoir is an inspiration.
A round-up of our recent news reports.
The latest arts appointments and departures.
90 minutes spent at the summit of Australian songwriting with one of the country's finest voices – and an equally brilliant surprise guest.
Luxury casting guarantees a thrill-a-minute concert as Verdi’s masterpiece lands west of the Divide.
Accompanied by Glenn Amer, Lee Abrahmsen and Warwick Fyfe save the day with a masterclass that would do Wagner proud.