On a shoestring and with some exceptional musical performances, The Cooperative finds its niche by plunging us into humanity’s dark side.

Perfect programming and a star-studded lineup take us to cloud nine on the Apple Isle.

Matthew Lutton looks to the otherworldly, surreal and fantastical in his second year as Artistic Director.

With a score by Nico Muhly, this immersive exploration of space and time finds its apotheosis in Tristan und Isolde.

The vocal equivalent of two marathons back-to-back, this is Don Carlo and Il trovatore done right.

In its third year, the festival boasts two complete operas in a four-day celebration of music, food and country hospitality.

Opera Australia’s new production of La bohème turns its back on our digital world in favour of paint, cloth and handmade theatre.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

A potent and even suffocating reading of Britten’s masterpiece delivers a warning we ignore at our peril.

Ahead of concerts in Melbourne and Sydney, Australian Brandenburg Orchestra Principal Bass Robert Nairn unpacks a world premiere 250 years overdue.

Beneath the polished showmanship, this classical crossover showcase keeps music with a classical foundation alive for a new generation.

This ingenious soupçon of Debussy’s Pelléas et Mélisande has all the makings of a five-star night at the opera.