Filled with pinch-me moments, this is opera of and for the people – with one of the finest Abigailles you’re likely to hear.

A three-course feast of early music and a star-powered production by the late Robert Wilson are among the banner events for Adelaide Festival 2026.

Ahead of his latest tour, Taiwanese-Australian violinist Ray Chen talks about the multidimensional journey that led him to reimagine music education.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

A fine cast of Puccini interpreters animate this nostalgic farewell to Gale Edwards’ Weimar-era production.

Michael Sumuel, Siobhan Stagg and Kiandra Howarth deliver textbook examples of how to sing Mozart under Maestro Matteo Dal Maso.

The Westminster Abbey Emeritus Organist is both playful and reverent in this joyous showcase of the instrument’s versatility.

In the second part of our look at the changing face of China’s arts scene, Tim Draxl, Lise Lindstrom, Dane Lam and Ivan Gil-Ortega share their experiences.

In part one of this two-part feature, we hear from Torben Brookman, Sarah Brightman and Dane Lam about the opportunities and challenges they see in the huge and fast-evolving Chinese market for music and theatre.

Ahead of his Australian Chamber Orchestra debut, pianist Alexander Gavrylyuk talks about his quest for freedom, and the composers who have championed it.

State Opera South Australia’s Artistic Director Dane Lam tells us why audiences should expect a thrilling joyride when The Magic Flute arrives in Adelaide.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.