Review: Casey and Diana (Mi Todo Productions)
A modestly produced but finely acted Australian premiere finds humour, hope and heartbreak in a royal visit to a Canadian AIDS hospice.
A modestly produced but finely acted Australian premiere finds humour, hope and heartbreak in a royal visit to a Canadian AIDS hospice.
Making her title role debut, Emma Pearson invites us to the Silver Age of Viennese operetta, and the entire company comes to the party.
In total interpretative sync, Simone Young and Javier Perianes deliver a mini-Beethovenfest full of youthful promise and mature genius.
Opera Australia marks its 70th birthday with an “outrageously good performance” that breathes new life into Elijah Moshinsky’s iconic production.
As piano recitals go, this was a World Cup-level winner. ¡Viva España!
A tension-filled second act elevates an uneven musical portrait of Grey Gardens' unforgettable mother and daughter.
Friendship and musical empathy transform a dazzling two-piano recital into an unforgettable shared celebration.
Homecoming recital reveals the many sides of the prodigiously talented Harry Ward.
The stars of Beijing's opera scene put on a tasting plate in a delicious debut gala.
QTC’s raucous regency romp takes another turn about the room.
Fine performances illuminate contrasting sacred settings, though the program struggles to sustain dramatic purpose.
Natalie Chee, Kathryn Selby and Richard Narroway make a superb trio in which no individual dominates.
"Naked" clarinet maestro Alexander Morris shows us two sides of the Gloom Tube.