Review: The Homecoming (Greg Carroll, Margaret Goy & Australian Shakespeare Company)
Honest old school staging allows a fine cast to explore the hazardous currents and depths of Harold Pinter’s mid-'60s masterpiece.
Honest old school staging allows a fine cast to explore the hazardous currents and depths of Harold Pinter’s mid-'60s masterpiece.
Liv Satchell's two-hander captures the pain and joy of growing up middle class and Millennial.
A welcome (and terrifying) reminder of how powerful the melding of film and music can be.
Alan Harris’ tender and whimsical Welsh comedy depicts one man’s strange journey towards invisibility.
Two of Sibelius’s most contrasting works feature in the second concert in this season of all seven of his symphonies.
The first of this three-part recital series was nothing less than exquisite.
A regionally touring production of Mozart’s opera showcases the work’s ability to reveal its seductive nature at something other than grand scale.
Scenes With Girls captures the rough edges and raw emotion of female friendships with gut-wrenching realism.
Ensemble Offspring celebrate Reich's 90th birthday with a deft and fun survey of his works.
Music and floral arrangements combine in a striking celebration of spring.
Two monumental scores test the orchestra’s mettle, but the NCO and pianist Lucas Krupinski rise magnificently to the occasion.
A demanding 20th anniversary program finds hope amid three profound meditations on mortality.
The Farm confronts mortality with a chaotic, darkly playful collision of dance and theatre.