Review: At What Cost? (Yirra Yaakin Theatre Company)
Nathan Maynard's uncompromising drama interrogates history, identity and who belongs within Community.
Nathan Maynard's uncompromising drama interrogates history, identity and who belongs within Community.
Move over Jacqueline. New British cello supremo Sheku Kanneh-Mason’s Elgar is one for the ages.
Christian-Pierre La Marca takes the lead across a lush playlist with a stark environmental message.
An illuminating program uncovers the forgotten Bohemian influences shaping Haydn and Beethoven’s celebrated quartets.
Lucy Ansell shines in a production whose exceptional craft outweighs its narrative limitations.
Now in its third iteration, this cabaret-circus confection continues to shake its groove thang with its irresistible disco soundtrack.
Jack Liebeck and Piers Lane's musical chemistry and soulful shaping makes for a engaging, intimate and much appreciated recital.
Joanna Murray-Smith’s farcical adaptation sacrifices Chekhov's emotional depth for superficial comedy.
AFCM continues to deliver the goods in an entertaining program of diverse music performed at the highest level.
A compelling new Rienzi finds contemporary resonance without sacrificing the grandeur of Wagner's early vision.
Reg Livermore's 1970s passion project gets a fresh charge in this deft Vic Opera revival.
Superb musicianship transforms an evening of introspective masterpieces into one of the festival's defining concerts.
Smaller in scale than Stephanie Lake's recent works but VISTA is nothing less than electrifying.