A new opera confronts our raw history with the highest echelon of Australian performers.

Sydney Philharmonia Choirs brings consolation, some French brio and dark pentameter from the Bard.

Avoiding greatest-hits predictability, the national opera company celebrates a milestone birthday with a satisfyingly thoughtful, ensemble-driven program.

Italian opera favourites meet film and tango music in a light-hearted, designed-to-please concert.

This hilarious satirical take on the classic universally acknowledges that love makes us stupid and that landlords are tw*ts.

Opera meets outer space in this cosmic collaboration between science, technology and the arts.

This mini-festival of short works underlines the merits of OA’s Young Artist Program and the career-readiness of its graduates.

A spectacular Dracula satisfies our yearnings for the darkest stories.

Eric Avery's year-long collaboration with Flinders Quartet bears remarkable fruit.

Every aspect of this staging works to highlight the strengths of Steel Magnolias – to a point where we don’t care about its contrivances.

A vivid tale of adolescent redemption inhabited by characters existing at the margins of reality.

Gavrylyuk's technique is flawless, sometimes astonishing. But does he overplay his strengths?