Review: The First Murder (Pinchgut Opera)
This brilliantly conceived production of Scarlatti's 1707 oratorio is set in contemporary times, on a beach, with superb performances all round.
This brilliantly conceived production of Scarlatti's 1707 oratorio is set in contemporary times, on a beach, with superb performances all round.
Kathryn Selby's 20th anniversary tour delivers a Schubert masterpiece in brilliant style.
Written in the post-WWII period, The Birds feels deeply resonant in an era where misinformation and mistrust loom large.
Kate Suthers’ inaugural Coriole Festival as artistic director traced a rich musical journey from fin-de-siècle Vienna to the pulsating rhythms of modern America
Sparkling Schubert, snapping strings and screaming infants – this concert has it all.
This story of a man confronting past trauma, shifting identities and the end of a consuming love affair doesn't quite break through.
A new opera confronts our raw history with the highest echelon of Australian performers.
Sydney Philharmonia Choirs brings consolation, some French brio and dark pentameter from the Bard.
Avoiding greatest-hits predictability, the national opera company celebrates a milestone birthday with a satisfyingly thoughtful, ensemble-driven program.
Italian opera favourites meet film and tango music in a light-hearted, designed-to-please concert.
This hilarious satirical take on the classic universally acknowledges that love makes us stupid and that landlords are tw*ts.
Opera meets outer space in this cosmic collaboration between science, technology and the arts.
This mini-festival of short works underlines the merits of OA’s Young Artist Program and the career-readiness of its graduates.