Is there anything new that yet another recording of The Four Seasons can say? Probably not, and it’s certainly not said here. Nevertheless, this is a very fine (if traditional) recording by Canadian violin virtuoso James Ehnes.

The Four Seasons formed part of a set of violin concertos composed for the occupants of a girls orphanage in Venice. Published in 1725, it is endlessly dazzling, virtuosic and irresistible, a toe-tapping set of pop songs. This recording makes no claims to historically informed performance or period arrangements (although mention must be made of Ehnes’ 1715 ex-Marsick Stradivarius); rather, The Four Seasons gets the full orchestral treatment, an ocean of shimmering violins working to magical effect, their upper-register interplay with Ehnes in Spring particularly transcendent.

Two other violin showstoppers are featured here: Fritz Kreisler’s arrangement of Tartini’s Devil’s Trill Sonata, and Jean-Marie Leclair’s understated (in this company) Violin Sonata in D Major, Op. 9 No 3, Tambourin.
Both are performed with American pianist Andrew Armstrong, renowned for his dazzling technique and expression; on this evidence also an astute and sensitive chamber player (he and Ehnes have recorded two critically acclaimed Bartók collections). The recording is rich, resonant and present,...