While live performance is returning, travel restrictions due to the coronavirus pandemic mean virtually no international artists will tour here. Will we seize the chance to create a greater space for Indigenous, female and ethnically diverse voices to speak to us about Australia today?

More cancellations of concerts, theatre and ballet announced due to COVID-19, with an ASO team member in isolation.

Missy Mazzoli's opera, based on Lars von Trier's film, builds to a devastating finale.

A very rare afternoon of truly eloquent chamber music performances at the UKARIA Cultural Centre.

An engrossing lesson in the historical and musical significance of Beethoven’s Eroica symphony in the composer’s 250th year.

Three leading female choreographers take on Beethoven’s Grand Fugue to thrilling effect.

The final program in 150 Psalms demonstrated the excellence, precision and mastery of all singers involved.

Pristine singing, but does it fulfil the project's aims?

The composer and violist has withdrawn from his upcoming engagement at the Adelaide Festival after being hospitalised with the coronavirus.

It was all go as this year’s 60th anniversary festival got underway with a series of compelling, contentious, provocative and exciting productions.

Missy Mazzoli has poured hope and light into her operatic version of Lars von Trier’s film headed for Adelaide. Tom Morris explains how he’s staging it, and why, as a man, he needed the composer’s blessing.

Robert Icke's riveting adaptation of a 1912 play by Arthur Schnitzler feels urgent and terribly timely.