Review: Zizanie (Adelaide Festival, Meryl Tankard & Restless Dance Theatre)
A delightful, mischievous, intoxicating celebration of difference.
A delightful, mischievous, intoxicating celebration of difference.
A deeply moving dance work about humanity’s decline.
Seamless, vital performances that speak to the long-standing relationship between Daniel Harding and the musicians.
Trio Mediaeval and trumpeter Arve Henriksen offer a taste of how Vikings might have sung and composed.
Hofesh Shechter’s apocalyptic dance work bound for Adelaide.
A new touring exhibition surveys the last decade of the unabashedly political artist's work.
Now in his 40s, the one-time ‘boy wonder’ tells us about Abbado’s Mahler, the importance of giving Bruckner back his Austrian accent and the endless joy of Mozart.
A circus spectacular of acrobatic virtuosity.
The two will produce and co-commission major opera productions to be seen in Adelaide over the next three years.
Nasi Voutsas and Bertrand Lesca's tense, comic two-hander draws the audience in and makes it complicit.
An immersive and magical experience where Chekhov meets Heysen.
The Sretensky Monastery Choir brings a powerful sound to sacred and secular Russian music.
A delightful production that is as intoxicating as Papageno's pink cocktail, while acknowledging the darker elements in Mozart's opera.