Barrie Kosky’s animated production of Mozart’s Singspiel has been stunning audiences globally. Suzanne Andrade and Paul Barritt from innovative British theatre company 1927 tell us how a “hyperactive little Australian” convinced them to stage their first opera.

This celebrated production of Mozart's evergreen singspiel is exceeding sales figures for past operas like Hamlet and Saul.

The Magic Flute from Berlin’s Komische Oper in which singers interact with stunning animations is coming to the 2019 Perth and Adelaide Festivals.

Box office success and visitor booms have seen the Festival generate a considerable amount of gross expenditure for the state.

A haunting lament of the body in conflict.

With two days to go, the Festival has announced it’s already achieved its biggest box office takings in its history, while the Fringe has also announced a bumper year.

A dynamic, intimate and moving reinterpretation of Brahms’ Requiem.

A colourful and energetic journey through the Quartet's musical worlds.

Ivo van Hove's dizzyingly multi-faceted production takes a compelling look at leadership across the ages.

Playwright Jochen Sandig, whose imaginative staging of Brahms Requiem is coming to Adelaide, explains why this “human” Requiem is more relevant than ever.

Growing up as a kid in New York, the conductor and author was bowled over by the two Leonard Bernsteins. Ahead of his Adelaide concerts, he explains how a fascination became a friendship.

Get your copy of Limelight magazine's March 2018 edition featuring star soprano Nicole Car, Rundfunkchor Berlin's Human Requiem, Graeme Murphy and Donald Runnicles on Mahler 10.