The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

Joseph Tawadros recalls how he got hooked on the oud, and how the instrument – and the teaching of it – is evolving as it becomes more accepted into orchestras around the world.

Guy Noble says it’s time to start making more of an effort to increase the representation of women composers on our stages.

What have our orchestras and choirs programmed this year?

A major new choral work by Richard Mills, on the themes of the birth of Jesus and our contemporary troubles, is magnificently performed.

The ASO's impressive 2022 season is one of the country’s bolder efforts, with women composers and living composers well represented.

Running over four days in March, WOMADelaide's 30th iteration is a largely Australian affair, with a few international guests that underscore the diversity of the lineup.

With superb orchestral playing, the line-up of around 200 passionate performers completely convinced in Orff's vital and lusty cantata.

The ASO's Festival of Orchestra got off to a thrilling start with a lively classical program designed for a broad audience.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

We chart the latest appointments and departures in the arts sector, among them Anne Dunn who joins Sydney Theatre Company and Carl Crossin who leaves Adelaide Chamber Singers.

This delightful, technicolour-bright production is wonderful, light-hearted entertainment, and just what we need right now to lift the spirits.