Composer and saxophonist Katia Beaugeais discusses her new Piano Concerto No. 1, to be performed by Stefan Cassomenos, the Adelaide Symphony Orchestra and conductor Keitaro Harada, which includes improvised bird calls and whistling.
A vitally important showcase of women composers fills a gap in music presentation.
Holly Harrison talks to Katie Yap about her love of nonsense and her new Concerto for Classical Accordion, composed for James Crabb and four of our orchestras.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
The latest arts appointments and departures.
ASO Tutti Trombone hailed as "a phenomenal trombonist" and "dedicated advocate for the Orchestra".
Ivan Karizna’s magisterial performance of Shostakovich’s first cello concerto contrasts with an enchanting new work by Jakub Jankowski.
Soprano Helena Dix’s performance in Strauss’s glorious Four Last Songs shines alongside a condensed and dramatic Ring Cycle.
Anne Cawrse knew little about Louis XIV when she was asked to turn an epic poem about the Sun King into a song cycle. So why did she say yes?
British viola virtuoso Lawrence Power chats with Steve Dow about Isles of Light, the concert he has programmed, directs and performs in for the Australian Chamber Orchestra, and why he believes there’s such a strong viola tradition in the British Isles.
Mark Wigglesworth says Henk de Vlieger’s orchestral synthesis captures the drama – not just the highlights – of Wagner’s epic Ring Cycle.
Oswell's musicianship and influence spanned decades and continents over a career that took him to international stages and recording studios.
Opera meets outer space in this cosmic collaboration between science, technology and the arts.
