Hurtling to fame after winning the BBC Young Musician Competition at 10, the English pianist talks about giving up on music, crafting a program after Rubinstein and his love of Ravel.
Nicholas Carter’s final year as Principal Conductor features a world premiere for Pinchas Zukerman’s 70th birthday, and Jayson Gillham playing five Beethoven piano concertos.
It’s all about risk, explains David Chisholm, Artistic Director of the Bendigo International Festival of Exploratory Music.
With a song penned by The Don, Bradman is bringing it home.
Spanish classics and a new Milliken work with the Adelaide Symphony Orchestra's artistry.
Women composers are wildly under-represented in Australian music across all genres but, as Rosalind Appleby discovers, a groundswell of change is gathering force.
The British pianist is touring Australia, has two CDs on release and has written his first novel. As well as discussing the priesthood, he talks to Limelight about dreams, Debussy, Rachmaninov and rentboys.
Thrilling colour and quality from Australian violinist Grace Clifford and the ASO.
We talk to the Australian violinist, who won the ABC Young Performers Award at 16, about coming home for a string of concerts and debuts.
Konstantin Shamray brought plenty of pyrotechnics to this performance with the Adelaide Symphony Orchestra.
An extraordinary reminder of Bernstein's skill, craft and humanity, which will live long in the memory.
Growing up as a kid in New York, the conductor and author was bowled over by the two Leonard Bernsteins. Ahead of his Adelaide concerts, he explains how a fascination became a friendship.
With the MEAA conducting a survey into sexual harassment in Australian theatre, Limelight asked the orchestras about the issue.
