Natsuko Yoshimoto is the newest custodian of the 18th-century violin, which she took for a spin in the orchestra's Season Opening Gala on the weekend.

A refined sound from the orchestra, with stellar soloists and deft work from the Adelaide Chamber Singers.

Despite notable ups and downs, Ian Whitney’s annual report into the number of Australian works performed by the major orchestras sees little improvement year on year.

Four years after filling in last-minute for Jaap van Zweden, the American conductor tells us about an early career that’s seen her gravitate from playing under Bernard Haitink to taking over his dressing room.

In her new oboe concerto for Celia Craig and the Adelaide Symphony Orchestra, Judith Weir looks at how 'the school oboe' shaped her career.

Hurtling to fame after winning the BBC Young Musician Competition at 10, the English pianist talks about giving up on music, crafting a program after Rubinstein and his love of Ravel.

Nicholas Carter’s final year as Principal Conductor features a world premiere for Pinchas Zukerman’s 70th birthday, and Jayson Gillham playing five Beethoven piano concertos.

It’s all about risk, explains David Chisholm, Artistic Director of the Bendigo International Festival of Exploratory Music.

With a song penned by The Don, Bradman is bringing it home.

Spanish classics and a new Milliken work with the Adelaide Symphony Orchestra's artistry.

Women composers are wildly under-represented in Australian music across all genres but, as Rosalind Appleby discovers, a groundswell of change is gathering force.

The British pianist is touring Australia, has two CDs on release and has written his first novel. As well as discussing the priesthood, he talks to Limelight about dreams, Debussy, Rachmaninov and rentboys.