Every Brahms symphony, every Beethoven piano concerto and a Stephen Hough world premiere in Mark Wigglesworth's first program at the ASO.

The Sydney Conservatorium's Laura Case delves into the logical and historical reasons for the large number of violins in a symphony orchestra.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

Graeme Koehne introduces his latest work for the Adelaide Symphony Orchestra, which he describes as “an aesthetic discussion in music”.

Simon Stone directs Kaija Saariaho’s last opera, Australian Dance Theatre celebrates 60 years, and Pina Bausch’s Tanztheater Wuppertal returns.

The number of Australians with their sights set on an international conducting career hasn’t changed, but their success rate is down. Why?

In 2025, Mark Wigglesworth becomes Chief Conductor of the Adelaide Symphony Orchestra. He talks about his approach to conducting, and his passion for cricket.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

Composers Elena Kats-Chernin, Elliott Gyger, Cheryl Durongpisitkul and Mindy Meng Wang among this year's finalists.

A round-up of our recent news reports.

"Inaction equates to complicity": Orchestras move even further away from equal representation, as shown by the latest analysis from Donne, Women in Music.

ASO's She Speaks program delivers a magnificent celebration of music by women composers that asks: why we don't hear this music more often?