"Fearless" British conductor Mark Wigglesworth adds Adelaide podium to his portfolio.

Soprano Sara Macliver shines in an exciting concert of contrasts — two Baroque gems and two compelling new works.

Emily Sun’s sublime rendition of Bruch’s first violin concerto sparkles in a program of contrasting musical languages.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

Celia Craig's oboe is the star on two premiere recordings.

The representation of female, First Nations and Australian composers in Australian orchestral programming has been broken down by Perth-based soprano Hannah Lee Tungate.

Presented in Australia for the first time, Robert Lepage’s puppetry-based staging of Stravinsky’s short works is as brilliant as ever.

In-concert operas are sometimes regarded as the poor relation of their fully staged cousins. But can less be more?

Ahead of an Adelaide Festival performance of their two song cycles, Nigel Westlake and Lior talk about their collaborative process and what comes first: the words or music.

A concert of great orchestral power featuring pianist Alexander Gavrylyuk’s magnificent performance of Tchaikovsky’s first piano concerto.

New Australian musicals, revivals of popular productions and new productions of crowd favourites: there's plenty to excite musical theatre fans in 2024.

What do our orchestras and choirs have on offer in the year ahead?