World Premiere: A Fantasy Elegy
Elena Kats-Chernin explains how her first violin concerto, written for soloist Emily Sun, draws on ideas she had just explored in a score for a German silent film set in the circus world.
Elena Kats-Chernin explains how her first violin concerto, written for soloist Emily Sun, draws on ideas she had just explored in a score for a German silent film set in the circus world.
The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.
A medical emergency and vocal problems couldn’t mar Christian Spuck’s monumental staging of Verdi’s masterpiece.
Jennifer Koh on racism and investing in the music of tomorrow.
What do our orchestras and choirs have on offer in the year ahead?
A concert combining vibrant orchestral colour with thoughtful reflection, featuring an outstanding performance from Canadian violinist James Ehnes.
From the power of choirs to the power of young people, the Adelaide Festival’s new Artistic Director Ruth Mackenzie shares her thoughts on next year’s program, and the future.
The culinary icon explains how she was brought up on music and can’t imagine a day without it.
The latest arts appointments and departures.
Cameron Lam explores the music of South Australia in this month's Australian Art Music playlist.
Surveying 111 orchestras across 31 countries, including Australia, the report found that only 7.7 percent of works programmed in 2021–2022 were by women composers.
In the fourth and final concert of its Beethoven series, the ASO gave committed and virtuosic performances of the 8th and 9th Symphonies under Douglas Boyd.
The latest arts appointments and departures.