Cameron Lam celebrates a kaleidoscope of colours across Classical, Jazz and Sound Art in this month’s Australian Art Music playlist.

Six premieres, five programs and an interstate debut: Omega Ensemble's 2024 season celebrates the modern and brings new flair to the classic.

The Orchestra will tour with three historically-informed mainstage performances across Australia's east coast, as well as a program that blends classical music with contemporary Australian practice.

In this adventurous concert exploring the experiences of Mary, mother of Christ, the singers give an expert performance, but the production values could be better.

The young Australian clarinettist talks about his incredible victory and his upcoming performance with the Willoughby Symphony Orchestra of his commission for Alice Chance.

Alice Chance explains why she's always had a soft spot for HIPsters, and her delight in writing four Baroque Sonatas for Evergreen Ensemble, which she compares to scribbling recipes on napkins and tossing them to capable chefs.

Cameron Lam explores Australian music written for brass instruments, from tubas and trombones, to double bell trumpets and a 19-century ophicleide.

Antony Pitts leads The Song Company Apprentices through a stirring program of works from Antoine Brumel to Alice Chance.

Recorder virtuoso Alicia Crossley presents the results of her commissioning project, presenting new works by some of Australia's finest female voices.

The gut-string evangelist explains her trio's blend of ancient, modern, and just a bit of trad.

Why has classical music been so slow to incorporate electric instruments?

Myee Clohessy discusses this year’s ambitious Bowral Autumn Music Festival.