Review: Haydn: Seven Last Words (Sydney Symphony Orchestra)
An intimate Easter program from Andrew Haveron and the SSO.
An intimate Easter program from Andrew Haveron and the SSO.
The SSO showcases the talent within its own ranks in this intimate concert of Bach favourites.
Andrew Haveron braves wild weather as Vivaldi’s concertos are reimagined for the climate disaster of the 21st century.
CEO Emma Dunch introduces the shorter than usual program, which features 19 in-demand Australian soloists and conductors, and 15 Australian world premieres from the 50 Fanfares project.
Much more Gold than Corn in this glorious CD.
Despite some teething problems with the sound, this was an impressive concert with high quality playing and a fascinating pre-performance talk.
An evening of chamber music filled with passion, virtuosity, romance and sheer exuberance.
Through rain, hail and shine, Andrew Haveron and the SSO take us through four seasons from the old world and the new.
Next year’s season includes guests from violinist Andrew Haveron to oboist Diana Doherty, plus the orchestra’s first ever choral collaboration.
Alexander Gavrylyuk hurls Brahms' furious musical thunderbolt in the second instalment of the SSO's mini festival.
To expand an earlier piano quartet, the composer wrangled the sounds of summer, a 9th-century hymn and a parrot's shriek.
Three talented young Chinese musicians will join the Sydney Symphony for its two season finales as part of a two-week residency.
Beautiful playing from Kathryn Selby and an SSO crack-squad.